Whicker’s World Foundation launches
inspiring Funding Award at Radio Festival
- Whicker’s World Foundation launches the Radio & Audio Funding Award (RAFA) at the Radio Festival, the annual celebration of all things audio at the British Library. The festival brings together a full media scope of leading figures from the UK’s audio industry.
- Supporting authored storytelling in the UK, taking us into new or hitherto unseen worlds, RAFA will help fund independent audio documentary makers.
- RAFA Awards are worth a total of £7,000.
- Submissions for this and existing Whicker’s World Foundation Awards 2017 are now being accepted.
Whicker’s World Foundation will today, at the UK’s popular Radio Festival hosted by broadcaster Paddy O’Connell launch a brand-new funding award – the RAFA – to help aspiring independent audio documentary makers. The awards were created to celebrate and encourage excellence in audio documentaries, and have been generously funded by a legacy left by the celebrated journalist Alan Whicker who died in 2013. Whicker wanted to encourage curiosity, stimulate the senses and empower talent which might otherwise never find a place in today’s highly-competitive industry.
The Whicker’s World Foundation, launched in 2015, has already awarded over £100,000.The award prizes consist of £5,000 for the winner and a runner-up prize of £2,000. The winning pitches will offer new and exciting ideas for audio documentaries, meeting Whicker’s World Foundation criteria of: taking us into a new or hitherto unseen worlds; being personal but not partisan; and with an emphasis on strong original storytelling and development of the medium. Applicants need to supply up to six minutes worth of audio in support of their proposals.Deadline for entries is 23rd December 2016, there is no application fee and candidates can apply online. The best five will be invited to pitch at an event in March 2017 and the winners will be announced at next year’s Radio Festival.Whicker’s broadcasting career began in radio and he went on to join Radio 2 in the late 1990s, adding what Jim Moir, the then Controller, described as “Great lustre to my network”. Alan was an avid fan of radio documentary and told the press he wanted to return to it because, unlike TV, it didn’t ‘dumb down’ – radio and ‘assumed an intelligent audience’. Alan Whicker’s passion continues into new generations with awards such as RAFA, created to empower emerging talent.The panel of judges will be looking for imaginative storytelling, either breaking new ground or taking a familiar path in a new and innovative direction. Valerie Kleeman , Whicker’s partner in life and work for over 40 years, said: “Alan was well aware that he had been lucky enough to start working at a time when serious journalism was respected and presenters given the freedom to fashion their own programmes. He and his colleagues were writing the grammar of what was to follow; they were given support and opportunities and often allowed to learn on the job. He was aware that this scenario is not replicated today; money is scarce and commissioners are reluctant to green light without a celebrity name fronting a subject with which they often have little connection. Alan, who felt the best shot of himself was the back of his head, abhorred this trend. He was apolitical; he sought to intrigue and stimulate but not to influence. He strived to uncover the unusual as well as entertain. Above all he was a writer and observer who wrote and filmed what he saw. At the Foundation we seek to use Alan’s legacy to further his vision and to help those with talent to take the first step up a ladder which is increasingly difficult to climb.“
Jane Ray, Consultant Artistic Director for Whicker’s World Foundation said: “I am thrilled that the Radio Festival are partnering this new funding award for audio. I am a passionate believer in the enduring power of the well made, thoughtfully produced audio documentary. The other day we were contacted by someone looking for a series Alan Whicker had made 18 years ago. They knew the title and could describe the pictures vividly – then remembered they’d actually ‘seen’ radio broadcasts. Those who inspire us to listen, I mean really listen, and take us deeper into understanding the notions and motivations that shape our human story need to be nurtured. If this award goes some way to helping talented independent audio producers realise their documentary dreams Alan Whicker’s legacy will be wonderfully well served.”Roger Cutsforth, The Radio Academy Managing Director added: “The Radio Academy is proud to be partnering with Whicker’s World Foundation on this fantastic initiative to encourage and support new talent in audio documentary making. The Radio & Audio Funding Award [RAFA] is a wonderful legacy of the late, great Alan Whicker and his passion for the medium and will be a wonderful addition to the Radio Festival.”
Francesca Panetta, last year’s runner up for ‘The Dhammazedi Bell’ and multimedia special projects editor at The Guardian said: “It’s wonderful to see this new funding award. There is so much talent out there but few avenues for funding creative audio. I’m looking forward to seeing or more appropriately hearing the results.”
Nina Garthwaite, founding director of In the Dark Radio, added: “While the Internet has opened up new platforms for independent audio production, it’s still not always easy for producers to find the funding to do the work they’re passionate about and you need money to have the time to really explore your ideas. So it’s great that the Whicker’s World Foundation Awards want to support radio makers with a strong independent voice and a desire to develop the medium. I’m excited to hear the results!”
Will Jackson, managing Director of the Radio Independents Group commented: “RIG greatly welcomes this new funding award, which gives the next generation of Britain’s audio documentary makers an invaluable opportunity to join the ranks of Britain’s highly successful indie production sector.”
Alan Hall, previous Whicker’s world Foundation audio judge and CEP of Indie Falling Tree said: “It’s exciting to welcome a new funding award that encourages documentary production to go beyond worlds (literal or figurative) known already to us and, in so doing, to develop the unique qualities of a medium now entering a new golden age!”
Whicker’s World Foundation’s pre-existing awards are also opening entries for submissions today.
The Audio Recognition Award
This is moving to The Radio Festival. This is for a documentary, 15 minutes or over, broadcast or published online in the previous year. It was won this summer by Cathy Fitzgerald’s Little Volcanoes. The award is for £5,000 to the winner and £2,000 for the runner-up. The winners will be announced at next year’s Festival.
The Film and TV Funding Award
This is the primary focus of Whicker’s World Foundation. Each year £80,000 will be awarded to a new director with the most promising pitch for an authored documentary which fulfils the core criteria of the Foundation and can be completed for screening with this award. The money will be paid in instalments to the director’s film company, enabling a project which deserves to reach as wide an audience as possible. This year it was won by Alex Bescoby for Burma’s Lost Royals. The closing date for entries is 31st January 2017 and the shortlists will be announced in May 2016. The first winners will be announced by Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final night of the 2017 festival, 13th June 2017.
The Whicker’s World Sage Award
‘Retirement’ was not a word in Alan’s vocabulary. He was 83 when he wrote and presented Whicker’s War, a much acclaimed account of his army experiences in Italy for Channel 4. He made his last series for BBC Two, Journey of a Lifetime, in his late eighties. The Sage award will recognise a TV or audio professional who has come to air with an authored story for the first time, a prize of £5,000 will be awarded annually to an applicant aged 50 plus. Submissions of no more than 10 minutes; this can be for presentation but must be their own work. A runner-up will receive £2,000. Keith Earnest Hoult won this award for for Fluechtlinge – Refugee. Keith, a fan of Alan Whicker’s ‘gentle approach’ to interviewing, was inspired to create a ten-minute film about Syrians seeking refuge in a disused airport used for the Berlin Airlift. When he witnessed his friend’s wife Caroline trying to help refugees against a growing backlash he ‘felt the urge to film it if only for her family to reflect on later in life’. Keith learnt his film-making skills at the SAE Institute after redundancy and divorce turned his life upside-down. Judges were impressed that he made this entirely self-funded film as ‘a simple tale of ordinary people helping other ordinary people at their time of most desperate need.’
For further details on the awards and entry forms please go to
Notes to editors:
For images, media information and interviews please contact:
Siobhan Connor at Connor PR email@example.com + 44 (0) 7966 177025
For Terms and Conditions and award Criteria please go to http://whickersworldfoundation.com/application-forms/
Join the conversation: facebook.com/whickersworldfoundation
About Whicker’s World Foundation
On 7 June 2015 Whicker’s World Foundation, whose principle aim is to give a much needed fillip to authored documentary storytelling in the UK, launched three new documentary awards worth over £100,000 for the promotion of curiosity in programme making, generously funded by a legacy left by the celebrated broadcast journalist Alan Whicker. The launch took place in the Sheffield Winter Gardens led by Alex Graham, chair or Doc/Fest, Jane Ray, Artistic Director for the foundation and Kim Longinotto, multi award winning filmmaker. Entries for 2017 Awards opened on September 26th 2016 www.whickersworldfoundation.com
Radio Festival is an annual event organised by Radio Academy, a registered charity dedicated to the encouragement, recognition and promotion of excellence in UK radio broadcasting and audio production. www.radioacademy.org
Connor PR, Whicker’s World Foundation, Siobhan Connor PR
Connor PR working wtih Studio 9 Films for the UK Premiere of Seeds of Hope to be screened at the Global Summit to End Sexual Violence in Conflict
UK PREMIERE of Seeds of Hope
to be screened at the Global Summit to End Sexual Violence in Conflict
- Award-winning filmmaker Fiona Lloyd-Davies takes us to ‘the most dangerous place in the world for women’ – the eastern Democratic Republic of Congo – in her film Seeds of Hope at the Summit Fringe on 10 June 2014.
- Seeds of Hope tells the extraordinary story of Masika and her journey to help women and children who have experienced sexual violence in conflict in eastern Congo.
- The Foreign Secretary Rt Hon William Hague and Angelina Jolie, UNHCR Special Envoy, will co-chair the Global Summit to End Sexual Violence in Conflict on 10–13 June 2014 at ExCel London.
- The summit calls for an end to sexual violence in conflict – an act that destroys lives and damages communities.
- It will be the largest gathering ever brought together on this subject.
Starting 9.00am on 10 June 2014, there will be three days of global action aimed at creating awareness of sexual violence in conflict. One voice that will be added to the call for an end to sexual violence in conflict is Masika Katsuva’s.
The 84 hours of action is the largest meeting ever held on ending sexual violence in conflict. The Global Summit to End Sexual Violence in Conflict (ESVC), co-chaired by Foreign Secretary William Hague and Angelina Jolie , Special Envoy for the United Nations High Commissioner for Refugees, will bring together government delegations, NGOs, experts and sexual and gender-based violence survivors from over 145 countries.
Studio 9 Films will show Seeds of Hope at the Summit Fringe on 10 June 2014. Seeds of Hope tells the extraordinary story of Masika and her journey to help women and children who have experienced sexual violence in conflict in eastern Congo. Masika, herself a multiple rape survivor, has helped thousands of women and children in eastern Congo who have suffered physical and sexual violence.
Every hour, 48 women are raped in Congo (DR). Eastern Congo was described as the ‘rape capital of the world’ by Margot Wolstrom, the United Nations Special Representative for Sexual Violence in Conflict in 2011. A new generation of children, born from rape in the DRC are growing up in a country where violence is a regular occurrence. It’s become a place where there is widespread acceptance of rape and brutality towards women. “Whenever there is fighting, militia use rape as a weapon of war”, Masika says.
Filmmaker Fiona Lloyd-Davies also interviews perpetrators of rape, among them soldiers from the Congolese army. Groundbreaking interviews are captured with the soldiers whose duty it is to protect the women they are brutally violating. These men give extraordinarily open testimony as to why they rape and their attitudes towards their horrific acts. As one soldier candidly reveals, “Raping gives us a lot of pleasure. When we rape we feel free.” This calls into question the crucial issue of justice and as one of the women, Nzgira, poignantly says, “If justice is done maybe this will stop the soldiers. It’s just they aren’t afraid of anything.”
The aim of the summit is to facilitate dialogue between governments, NGOs, experts and survivors that outline solutions to sexual violence in conflict and develop international co-ordination. For Masika, to stop sexual violence means the conflict must be brought to an end. “If the fighting were to end in the hills, it would mean an end to rape which we want to stop forever.”
Filmed over three years and capturing the ebb and flow of the seasons, we see how the process of farming this small patch of land empowers and transforms these women.The field is their hope, their therapy and their source of food and income. The rape victims and hundreds of children born from rape sow lines of seed every quarter (three months). Together they nurture them, pray for good weather and eventually harvest them to eat, sell and plant again to generate more crops.
The field becomes a central feature, almost a character, both in its symbolic value and as a signifier of time passing. The process of renewal and rebirth that nature provides offers up hope anda restored focus to the women. As one of the women, Mongera, remarks, “When we meet as a group, for a moment, it helps us forget what we’ve been through.”The women build new friendships, helping them come to terms with their pasts and look to make plans for the future.
The extraordinary natural beauty of Congo is juxtaposed against the horrific experiences that these women have endured and the threat of sexual violence that remains, lurking in such landscapes.
Since the filming of Seeds of Hope, 39 soldiers have stood trial for the crimes that took place in Minova in November 2012. Only two were convicted of rape as a war crime. Fiona Lloyd-Davies has produced a documentary on both the aftermath of the rapes in 2012 and the trial that will be broadcast on BBC Newsnight on Monday 9 June 2014.
While the seeds show that there is a way forward and a glimmer of hope, its clear that there’s little justice for these women at present. Masika believes that until there is peace in DRC there will be rape: “Whenever there is fighting there is rape.” Despite the recent Minova trial, prosecutions are rare and impunity still prevails. The battle against an endemic rape culture is far from over.
Senator Mobina Jaffer said: “Seeds of Hope conveys unimaginable pain, but also the hope and strength of the women in the Democratic Republic of the Congo. It further portrays a British filmmaker, Fiona, reaching out to portray the pain of her Congolese sister, Masika.”
This film takes us deep into the lives of women and children who are rarely given a voice and rarely seen on screen. Seeds of Hope shows how one woman’s enterprise helps thousands of Congo’s rape survivors find healing and independence through farming. As one of the women explains, “we are always very happy when we have our seeds, because seeds are our hope”.
Notes to Editors:
To attend the screening of Seeds of Hope and reception please contact Siobhan at Connor PR. There will be a Q&A after the screening, moderated by Anneke Van Woudenberg, Human Rights Watch, Senior Researcher Africa Division.
Fiona Lloyd-Davies is available for interview.
Please contact Siobhan at Connor PR firstname.lastname@example.org Tel: 07966 177025
What: Screening of Seeds of Hope at the Summit Fringe followed by a Q&A.
When: 10 June 2014 at 6.30pm.
Where: ExCel Centre, Docklands, London.
Facebook page: https://www.facebook.com/seedsofhopestudio9films?fref=ts
Twitter handle:@Studio9films #seedsofhope
Images are available on request.
To watch the film please click on the following link
A short preview can be viewed on: http://www.studio9films.co.uk/films_new.html
Seeds of Hope documents the extraordinary story of Masika Katsuva, who, with just a small patch of land, commitment and passion, has helped thousands of women and children who have suffered physical and sexual violence come to terms with the nightmares they have lived through.
Every hour, 48 women are raped in Congo. Eastern Congo has been called the ‘rape capital of the world’ by the UN Special Representative for Sexual Violence in Conflict. This is the most dangerous place in the world for women.
The women and children farm the land together, providing them with an income, a sense of stability and a form of therapy. Through donations, Masika and her team have expanded the centre, but the battle against an endemic rape culture is far from over. Since launching the project, Masika has been raped three more times.
The film also reveals the motivations of some of the perpetrators. They are not just foreign militia groups, but are members of the Congolese National Army. These are the soldiers whose duty it is to protect the women they are now brutally violating.
Filmed over three years, Seeds of Hope takes us deep into the lives of women and children rarely seen, offering up a vision of transformation through one woman’s mission to bring healing to women traumatised by rape and in turn, stability to their children born as a result.
Links relating to Seeds of Hope
St Louis International Film Festival November 2014
Africa World Documentary Film Festival
Selected for International Festival “A Film for Peace”
Studio 9 Films
Studio 9 Films Ltd is a company led by award-winning producer/director/self shooter and photojournalist Fiona Lloyd-Davies. They have produced films for BBC, Al Jazeera, Human Rights Watch and REDRESS. Studio 9 Films’ production, “Justice in Action”, chronicling six young woman’s journey to Bosnia 20 years after the war won the Best Documentary International at the People’s Film Festival in 2013. The film “Seeds of Hope”, which tells the extraordinary story of Masika Katsuva, a multiple rape survivor who has helped thousands of women and children in war-torn eastern Congo premiered at the Pulitzer Center Film Festival “Global Crises, Human Stories” and was officially selected for the St Louis International Film Festival 2013.
Biography of Fiona Lloyd-Davies
Award winning filmmaker and photojournalist, Fiona Lloyd-Davies is one of the UK’s most experienced foreign documentary and current affairs journalists. She’s been making films and taking pictures about human rights issues in areas of conflict since 1992, working in Bosnia, Iraq, Pakistan, the Democratic Republic of Congo and many other locations. Her film about Honour Killing in Pakistan, License to Kill for BBC2, brought a change in the law in Pakistan and was awarded a Royal Television Society award for Best International Journalism. She has also won a Royal Television Society award for Innovation for her work with Salam Pax on the Baghdad Blogger.
Justice in Action, Fiona’s film chronicling the journey of six young women exploring the path to peace and reconciliation in Bosnia won the Best Documentary International at the People’s Film Festival. Her work combines journalism with a strong visual style that she learnt as a graduate of the Royal College of Art. She is also a widely published and exhibited photojournalist in UK broadsheets and magazines such as the Guardian, The Observer magazine and the Herald. She films and edits much of her work herself, using the latest technology.
Fiona’s most recent work centres on sexual violence in the Democratic Republic of Congo. She has gained unprecedented access to the soldiers implicated in the rapes in Minova on November 20, 2012. Ordered to Rape investigates the mass rapes and subsequent trial and will be shown on BBC Newsnight on June 9, 2014. Her film Seeds of Hope tells the extraordinary story of Masika Katsuva, a multiple rape survivor, who has helped over thousands of women and children will be shown at the Summit Fringe of the Global Summit to End Sexual Violence in Conflict on June 10, 2014.
Fiona’s other Congo work
“Congo and the General” TX February 2014 Al Jazeera English
The first ever aggressive, intervention brigade of 3,000 men has been deployed to one of the world’s most complicated and volatile regions, Eastern Congo. It’s being led by a new force Commander, the Brazilian General, Carlos Alberto Dos Santos Cruz. He has one of the most difficult and dangerous jobs in the world. To prove that the UN can finally fulfill it’s mandate to protect civilians and win against rebel forces and militia men who, until now, have out manoeuvred the largest and most expensive peacekeeping operation in the world.
“Congo’s Tin Idea” TX May 2013 Al Jazeera English
Control of Eastern Congo’s minerals has been a key driver in the savage fighting that’s killed over five million people. A new project may have the answer – to produce conflict free tin from a mine.
Connor PR working with Studio 9 Films, Connor PR working with Film Maker Fiona Lloyd-Davies, Connor PR and the premiere of Seeds of Hope, Connor PR working on the Global Summit to End Sexual Violence in Conflict with Angelina Jolie and William Hague
‘EAST MEETS WEST’ COMES TO SHREWSBURY
WITH THE OFFICIAL LAUNCH OF:
HOUSE OF THE RISING SUN RESTAURANT
ON BUTCHER ROW
Connor PR launches House of the Rising Sun restaurant in Butcher Row, Shrewsbury.
More than 200 people gathered on Tuesday night to celebrate the official launch of a new restaurant, House of the Rising Sun, on Butcher Row. Headed up by entrepreneur Sam Taylor, owner of The Libertine Cocktail Bar and Tea Room, working alongside head chef, Adrian Badland.
The Mayor of Shrewsbury, John Tandy. Celebrity TV chef, Marcus Bean, and Shrewsbury’s business community were among the guests who joined Sam and the patrons of the restaurant on Tuesday evening.
Guests were treated to champagne cocktails and a selection of delicious Pacific Rim canapés as they enjoyed the fusion of global dining in a sumptuous and luxurious atmosphere.
Sam Taylor said “I was overwhelmed by the turn out tonight. I have been focussed on delivering that big city experience in a local town setting, and the feedback from tonight’s event seems to indicate that ambition. Our young team never cease to amaze me with their enthusiasm, attention to detail, and understanding of the importance of top class customer service, so that nobody leaves without having a great dining experience”.
Head chef Adrian Badland added “I’m delighted with the feedback from the fusion dishes my team and I have created over the last four months. We have challenged traditional thinking and worked extremely hard to produce some wonderful taste experiences for our customers. I was particularly delighted to welcome John Tandy the Mayor into the kitchen tonight, who shared his enthusiasm for cooking high quality food with us all!”
Shropshire-born Adrian has worked at numerous award winning restaurants in the West Midlands, and has brought his 20 years’ experience to bear in indulging his passion for creating contemporary dishes distinguished by their unexpected contrasts of flavours and textures.
Please contact Siobhan at Connor PR Siobhan@connorpr.com
Tel 07966 177025
Photos from the event are available on request
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Connor PR working with Paramount Pictures, in association with Empire Film Distribution on The Reef 2:High Tide, the stunning new animation film
The following celebrities attended a celebrity screening of the brand new animation film The Reef 2: High Tide at The Soho Hotel from Paramount Pictures, in association with Empire Film Distribution. The event was organised by Connor PR, specialists in event PR.
Gillian McKeith and her daughters, Skylar and Afton. Patsy Palmer and her children Fenton, Emilia and Bertie. Jessie Wallace and her daughter Tallulah. Carrie Grant and family. Towie star Billi Mucklow and her nephew. Maisie Smith (Tiffany in EastEnders). Devon Higgs (Morgan in EastEnders). Kevin Adams, Charlie Brooks and her daughter Kiki.
The Stunning New Animation Film by Director Mark A.Z. Dippe, starring Drake Bell, Fran Drescher, Andy Dick and Frankie Jonas
With fast paced action, striking CGI animation and vibrant characters, this is the ultimate feel good animation film, perfect for all the family
Andrew Baker, Director of Marketing at Tembe DIY & Building Products and Siobhan Connor, Head of PR at Tembe DIY, present cheque to Sheila Jennings from Cancer Research UK.
Hippo, the leading brand in the UK trade market brought out a pink version of its popular heavy duty tape. The tape has been designed especially to raise money to fight cancer.
Hippo heavy duty tape is a strong, multipurpose, waterproof cloth repair tape with hundreds of uses. Hippo Tape adheres firmly to most surfaces and provides a safe, clean and versatile solution to many problems.
Cancer Research UK is the largest volunteer-supported cancer research organisation in the world. The charity focuses on ways of curing cancer faster, researching new ways of preventing cancer and developing better treatments and finding effective cures.
Andrew Baker, Marketing Director of Tembé DIY & Building Products said
“Cancer is that dreaded word spoken, almost everyone has been touched by it in some way, be it a family member or a friend, it can strike at any age, young or old. Tembé and our customers are proud to continue doing our part to help raise money for a cure”.
Sheila Jennnings from Cancer Research UK the local Doncaster Ambassador accepted the cheque of £1012 at Tembe’s headoffice in Doncaster, along with Andrew Baker from Harrogate, Director of Marketing at Tembe DIY and Siobhan Connor, Head of PR at Tembe DIY.
Sheila Jennings from Gainsborough said: “If we had the world I wanted we would have a cure for cancer, Tembe DIY and your customers are now part of finding that cure, because of your fundraising”.
CRUK are the world’s leading cancer charity dedicated to saving lives through research. Their groundbreaking work into prevention, diagnosis and treatment of cancer has see survival rates double in the last 40 years.
Cancer Research UK have made incredible advances in improving survival and preventing millions of new cases of cancer, both in the UK and across the world. They are proud of the impact they are having against such a devastating disease.
Connor PR works with Cancer Research UK, Connor PR UK PR Agency, Connor PR working with Tembe DIY & Building Products, Connor PR B2B PR agency, Connor PR Charity PR agency
We love our boobs so much we turned them into wallpaper
– 300 ladies get it off their chest by baring their breasts for wallpaper
– 25% of proceeds of the wallpaper to go to coppafeel website, a breast cancer awareness charity
– Artist Sam Pooley took part in her own topless photo-shoot describing it as “an invigorating experience”. She has posted one of the photographs on her website boobwallpaper website
As the saying goes, a picture paints a thousand words. Likewise, for one Shropshire artist, a wall became an expression of her personality. More than 300 women have been photographed topless as part of a project to create limited-edition wallpaper of women’s breasts.
With a renewed campaign to ban Page 3 models; topless women demanding equal rights on the streets of New York; controversy raging over paparazzi pictures of the Duchess of Cambridge sunbathing semi-nude; and Angelina Jolie revealing she’s had a mastectomy, breasts are very much in the news. This inspired artist Sam Pooley, from Shrewsbury, Shropshire to think about how she feels about her own breasts. Sam did a topless photo shoot in The Quarry, a local park in Shrewsbury town centre – it was both terrifying and liberating.
Sam embarked on a tour of the UK visiting York, London, Bath, Bristol, Northampton, Totnes, Chester & Watford, looking to recruit women to bare breasts of all different shapes, ages and sizes. Sam discovered that the majority of women she photographed didn’t like their breasts. She was inspired to create an artwork that celebrated breasts and in the process, enabled women to feel liberated by the experience and have their self-confidence boosted.
The breast has been an image used in art for many thousands of years, from Stone Age fertility goddesses and classical sculpture to breast-feeding Italian Renaissance Madonna’s and fleshy modern nudes. It has been revered as life-giving, wholesome and liberating. In modern times, photographic images of breasts have become something smutty or rude, while women in many African and South Pacific cultures wander around bare-chested and no-one bats an eyelid.
Sam Pooley says she has been overwhelmed by the response and the inspiring personal stories of many of the volunteers.
“The women in the wallpaper are from all walks of life, from the age of 19 right up to an 82-year-old grandmother.” she said.
“The wallpaper tells so many stories of women who have had mastectomies, breast reductions and enlargements, lifts and tucks, even a professional wet nurse who has breast-fed over 50 children.
“I’ve received some truly inspirational emails from women who’ve had breast cancer and wanted to be part of this campaign. I’m amazed at the stories coming out.”
The final artwork will be unveiled at Miss Pooley’s fine art degree show at Birmingham City University School of Art alongside a soundtrack of some women talking about their breasts. It will be reproduced and sold as limited-edition wallpaper with 25% of proceeds from the sale going towards breast cancer research.
***Sam Pooley is available for interview***
Notes to editors:
Sam Pooley is available for interview, for any media enquiries please contact Siobhan at ConnorPR Tel 07966 177025 / Siobhan@connorpr.com
Case studies of are available on request.
Sam Pooley Biography
Is an artist and a mother. She lives in Shrewsbury Shropshire. She is studying Fine Art at Birmingham City University School of Art.
Sam has many fingers in many pies. She shares a shop Compost & Gooseberry in The Market Hall Shrewsbury where she sells her art and other Artisans creations. She runs Compost Kids art classes for children of all ages. She is the features editor for Severn Magazine where she has a regular column showcasing local creative talent, she works as a creative consultant and has even been known to design and coordinate events.
To remain consistently ahead of the competition in covering the UK’s most impactful news story of the year is a remarkable achievement. At the heart of this entry is Lucy Manning’s relentless journalistic determination as well as her compassion for all concerned. Revelation followed revelation, scoop followed scoop in this exemplary news coverage.
Savile, ITN for ITV News
This is a link to the Sarah Rozenthuler Life Changing Conversations book launch that Connor PR organised:
Here is a link to Sarah Rozenthuler talking about the book:
Connor PR helped to launch Fi Cotter Craig’s book ‘Middle Class ABC’ which Stephen Fry referred to as “Indispensable and entirely charming”: