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Whicker’s World Foundation launches inspiring Funding Award at Radio Festival

Whicker’s World Foundation launches

inspiring Funding Award at Radio Festival

Whicker’s World Foundation launches the Radio & Audio Funding Award (RAFA) at the Radio Festival, the annual celebration of all things audio at the British Library. The festival brings together a full media scope of leading figures from the UK’s audio industry.

Supporting authored storytelling in the UK, taking us into new or hitherto unseen worlds, RAFA will help fund independent audio documentary makers.

RAFA Awards are worth a total of £7,000.

Submissions for this and existing Whicker’s World Foundation Awards 2017 are now being accepted.

Whicker’s World Foundation will today, at the UK’s popular Radio Festival hosted by broadcaster Paddy O’Connell launch a brand-new funding award – the RAFA – to help aspiring independent audio documentary makers. The awards were created to celebrate and encourage excellence in audio documentaries, and have been generously funded by a legacy left by the celebrated journalist Alan Whicker who died in 2013. Whicker wanted to encourage curiosity, stimulate the senses and empower talent which might otherwise never find a place in today’s highly-competitive industry.

The Whicker’s World Foundation, launched in 2015, has already awarded over £100,000.The award prizes consist of £5,000 for the winner and a runner-up prize of £2,000. The winning pitches will offer new and exciting ideas for audio documentaries, meeting Whicker’s World Foundation criteria of: taking us into a new or hitherto unseen worlds; being personal but not partisan; and with an emphasis on strong original storytelling and development of the medium. Applicants need to supply up to six minutes worth of audio in support of their proposals.Deadline for entries is 23rd December 2016, there is no application fee and candidates can apply online. The best five will be invited to pitch at an event in March 2017 and the winners will be announced at next year’s Radio Festival.Whicker’s broadcasting career began in radio and he went on to join Radio 2 in the late 1990s, adding what Jim Moir, the then Controller, described as “Great lustre to my network”. Alan was an avid fan of radio documentary and told the press he wanted to return to it because, unlike TV, it didn’t ‘dumb down’ – radio and ‘assumed an intelligent audience’. Alan Whicker’s passion continues into new generations with awards such as RAFA, created to empower emerging talent.The panel of judges will be looking for imaginative storytelling, either breaking new ground or taking a familiar path in a new and innovative direction. Valerie Kleeman , Whicker’s partner in life and work for over 40 years, said: “Alan was well aware that he had been lucky enough to start working at a time when serious journalism was respected and presenters given the freedom to fashion their own programmes. He and his colleagues were writing the grammar of what was to follow; they were given support and opportunities and often allowed to learn on the job. He was aware that this scenario is not replicated today; money is scarce and commissioners are reluctant to green light without a celebrity name fronting a subject with which they often have little connection. Alan, who felt the best shot of himself was the back of his head, abhorred this trend. He was apolitical; he sought to intrigue and stimulate but not to influence. He strived to uncover the unusual as well as entertain. Above all he was a writer and observer who wrote and filmed what he saw. At the Foundation we seek to use Alan’s legacy to further his vision and to help those with talent to take the first step up a ladder which is increasingly difficult to climb.“

Jane Ray, Consultant Artistic Director for Whicker’s World Foundation said: “I am thrilled that the Radio Festival are partnering this new funding award for audio. I am a passionate believer in the enduring power of the well made, thoughtfully produced audio documentary. The other day we were contacted by someone looking for a series Alan Whicker had made 18 years ago. They knew the title and could describe the pictures vividly – then remembered they’d actually ‘seen’ radio broadcasts. Those who inspire us to listen, I mean really listen, and take us deeper into understanding the notions and motivations that shape our human story need to be nurtured. If this award goes some way to helping talented independent audio producers realise their documentary dreams Alan Whicker’s legacy will be wonderfully well served.”Roger Cutsforth, The Radio Academy Managing Director added: “The Radio Academy is proud to be partnering with Whicker’s World Foundation on this fantastic initiative to encourage and support new talent in audio documentary making. The Radio & Audio Funding Award [RAFA] is a wonderful legacy of the late, great Alan Whicker and his passion for the medium and will be a wonderful addition to the Radio Festival.”

Francesca Panetta, last year’s runner up for ‘The Dhammazedi Bell’ and multimedia special projects editor at The Guardian said: “It’s wonderful to see this new funding award. There is so much talent out there but few avenues for funding creative audio. I’m looking forward to seeing or more appropriately hearing the results.”

Nina Garthwaite, founding director of In the Dark Radio, added: “While the Internet has opened up new platforms for independent audio production, it’s still not always easy for producers to find the funding to do the work they’re passionate about and you need money to have the time to really explore your ideas. So it’s great that the Whicker’s World Foundation Awards want to support radio makers with a strong independent voice and a desire to develop the medium. I’m excited to hear the results!”

Will Jackson, managing Director of the Radio Independents Group commented: “RIG greatly welcomes this new funding award, which gives the next generation of Britain’s audio documentary makers an invaluable opportunity to join the ranks of Britain’s highly successful indie production sector.”

Alan Hall, previous Whicker’s world Foundation audio judge and CEP of Indie Falling Tree said: “It’s exciting to welcome a new funding award that encourages documentary production to go beyond worlds (literal or figurative) known already to us and, in so doing, to develop the unique qualities of a medium now entering a new golden age!”

Whicker’s World Foundation’s pre-existing awards are also opening entries for submissions today.

The Audio Recognition Award

This is moving to The Radio Festival. This is for a documentary, 15 minutes or over, broadcast or published online in the previous year. It was won this summer by Cathy Fitzgerald’s Little Volcanoes. The award is for £5,000 to the winner and £2,000 for the runner-up. The winners will be announced at next year’s Festival.

The Film and TV Funding Award

This is the primary focus of Whicker’s World Foundation. Each year £80,000 will be awarded to a new director with the most promising pitch for an authored documentary which fulfils the core criteria of the Foundation and can be completed for screening with this award. The money will be paid in instalments to the director’s film company, enabling a project which deserves to reach as wide an audience as possible. This year it was won by Alex Bescoby for Burma’s Lost Royals. The closing date for entries is 31st January 2017 and the shortlists will be announced in May 2016. The first winners will be announced by Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final night of the 2017 festival, 13th June 2017.

The Whicker’s World Sage Award

‘Retirement’ was not a word in Alan’s vocabulary. He was 83 when he wrote and presented Whicker’s War, a much acclaimed account of his army experiences in Italy for Channel 4. He made his last series for BBC Two, Journey of a Lifetime, in his late eighties. The Sage award will recognise a TV or audio professional who has come to air with an authored story for the first time, a prize of £5,000 will be awarded annually to an applicant aged 50 plus. Submissions of no more than 10 minutes; this can be for presentation but must be their own work. A runner-up will receive £2,000. Keith Earnest Hoult won this award for for Fluechtlinge – Refugee. Keith, a fan of Alan Whicker’s ‘gentle approach’ to interviewing, was inspired to create a ten-minute film about Syrians seeking refuge in a disused airport used for the Berlin Airlift. When he witnessed his friend’s wife Caroline trying to help refugees against a growing backlash he ‘felt the urge to film it if only for her family to reflect on later in life’. Keith learnt his film-making skills at the SAE Institute after redundancy and divorce turned his life upside-down. Judges were impressed that he made this entirely self-funded film as ‘a simple tale of ordinary people helping other ordinary people at their time of most desperate need.’

For further details on the awards and entry forms please go to

www.whickersworldfoundation.com

-ENDS

Notes to editors:

For images, media information and interviews please contact:

Siobhan Connor at Connor PR siobhan@connorpr.com + 44 (0) 7966 177025

For Terms and Conditions and award Criteria please go to http://whickersworldfoundation.com/application-forms/

Join the conversation: facebook.com/whickersworldfoundation

https://twitter.com/whickersworld @whickersworld

About Whicker’s World Foundation

On 7 June 2015 Whicker’s World Foundation, whose principle aim is to give a much needed fillip to authored documentary storytelling in the UK, launched three new documentary awards worth over £100,000 for the promotion of curiosity in programme making, generously funded by a legacy left by the celebrated broadcast journalist Alan Whicker. The launch took place in the Sheffield Winter Gardens led by Alex Graham, chair or Doc/Fest, Jane Ray, Artistic Director for the foundation and Kim Longinotto, multi award winning filmmaker. Entries for 2017 Awards opened on September 26th 2016 www.whickersworldfoundation.com

Radio Festival

Radio Festival is an annual event organised by Radio Academy, a registered charity dedicated to the encouragement, recognition and promotion of excellence in UK radio broadcasting and audio production. www.radioacademy.org

Connor PR, Whicker’s World Foundation, Siobhan Connor PR

ALAN WHICKER COLLECTION NOW AVAILBLE TO VIEW AT BFI SOUTHBANK AS PART OF LATEST ACQUISITIONS EXHIBITION

Inside Whicker’s World: The life and travels of Alan Whicker

Alan Whicker collection on view now as part of an exhibition of material from the BFI National Archive’s Special Collections; ‘Latest Acquisitions’ is free to view in the Mezzanine Gallery at BFI Southbank until October 23

Items on display include Alan Whicker’s passports, a BBC Audience report for Whicker Down Under, interview question cards for Papa Doc: The Black Sheep (1969) and The World of James Bond (1967), photographs, correspondence, and shooting schedules
Test your knowledge by taking part in a travel quiz made by the Whicker’s World Foundation – https://whickersworldfoundation.com/2016/10/quiz-how-well-do-you-know-whickers-world/

Submissions for Whicker’s World Foundation Awards 2017 are now being accepted

As well as caring for one of the world’s richest and most significant moving image collections, the BFI National Archive also holds world-class Special Collections of scripts, posters, designs, photographs and other documents, including the archives of some of Britain’s most important film and programme makers. This exhibition presents highlights from some of our exciting recent acquisitions including the papers of Oscar-winning costume designer Jenny Beavan, television journalist and documentary-maker Alan Whicker, and S John Woods, the man behind many of the best-loved Ealing Studios posters. The exhibition is open now and free to view until October 23rd 2016 at BFI Southbank, Mezzanine Gallery, Belvedere Road, London SE1 8XT.

The BFI National Archive is now home to the archives of pioneering investigative TV journalist, Alan Whicker, donated by Valerie Kleeman, Whicker’s World Foundation. The collection contains meticulous records of one of the most enduring and influential careers in British television history, spanning the late 1950s into the 21^st century.

This is an extensive and significant donation covering the entire career of a world-renowned broadcaster, and represents a unique insight into the production methods of a master documentarian. Alan Whicker’s name is a by-word for brilliantly crafted and revealing studies of people and places, whether exploring behind the scenes of the Miss World competition, interviewing Papa Doc in Haiti, or exposing the lifestyles of the hippies of San Francisco, with an enquiring mind and a sceptical tone. This unlikely figure, clad in Gucci tie and blazer, found his way into the nation’s hearts as he went where his audience was unlikely to follow.

The meticulously kept Alan Whicker archive spans the years 1938-2014. It includes a school report from 1938, documents relating to his war career and letters, photographs, extensive production files, audience reports, interview notes and questions (including Whicker’s hand-annotated question cards) and transcripts of every TV programme he made, along with some, as yet, unidentified films. The archive gives an insider’s view of some of the key events, social trends and personalities of the 20^th century, while fully documenting the changing world of television reportage across more than five decades.

Around Whicker’s World in 13 Guesses

Test your knowledge of Alan Whicker’s Life and Work by taking part in our quiz

https://whickersworldfoundation.com/2016/10/quiz-how-well-do-you-know-whickers-world/

Submissions for Whicker’s World Foundation Awards 2017 are now being accepted

The Funding Award

This is the primary focus of Whicker’s World Foundation. Each year £80,000 will be awarded to a new director with the most promising pitch for an authored documentary which fulfils the core criteria of the Foundation and can be completed for screening with this award. The money will be paid in instalments to the director’s film company, enabling a project which deserves to reach as wide an audience as possible. This year it was won by Alex Bescoby for Burma’s Lost Royals. The closing date for entries is 31st January 2017 and the shortlists will be announced in May 2016. Entrants must be aged 35 years or younger on the closing date for applications. The first winners will be announced by Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final night of the 2017 festival, 13th June 2017.

The Whicker’s World Radio and Audio Funding Award (RAFA)

For 2017 we are introducing a new Funding Award for Radio and Audio documentary projects in association with the Radio Academy. This is for a documentary, 15 minutes or over, broadcast or published online in the previous year. The Whicker’s World Radio and Audio Funding Award (RAFA) has a £5,000 first prize and £2,000 runner up award. The deadline for this award is the 23rd of December, with the best pitch being announced at a special event in March 2017.

The Recognition Awards

In addition to our funding awards there are two further annual prizes to recognise completed work: the ‘Audio Award’ and the ‘Sage Award’, the latter of which is for the finest industry newcomer over the age of fifty.

Alan worked in radio before TV and was snapped up by Radio 2 in the late 1990s, adding what Jim Moir, the Controller from 1996 to 2003, described as “great lustre to my network”. Initially Alan’s radio programmes revolved around re-visiting his most memorable encounters from Whicker’s World: from the ‘Ten Pound Poms’ to Margaret Rutherford’s transsexual adoptee who ‘gave birth’ to a mixed-race daughter in South Carolina. He went on to create a radio history of television called It’ll Never Last.

Whicker’s World Foundation will award an annual £5,000 prize for the best audio project of over 15 minutes in length, broadcast in the last year. A runner-up will receive £2,000.

The Whicker’s World Sage Award

For further details on the awards and entry forms please go to

www.whickersworldfoundation.com

-ENDS

Notes to editors:

For images, media information and interviews please contact:

Siobhan Connor at Connor PR siobhan@connorpr.com + 44 (0) 7966 177025

For Terms and Conditions and award Criteria please go to http://whickersworldfoundation.com/application-forms/

Join the conversation: facebook.com/whickersworldfoundation

https://twitter.com/whickersworld @whickersworld

About Whicker’s World Foundation

ALAN WHICKER COLLECTION DONATED TO BFI NATIONAL ARCHIVE

ALAN WHICKER COLLECTION

DONATED TO BFI NATIONAL ARCHIVE

London – Thursday, 5^th May 2016. The BFI National Archive is pleased to announce that it has received the archives of pioneering investigative TV journalist, Alan Whicker, donated by Valerie Kleeman, Whicker’s World Foundation. The collection contains meticulous records of one of the most enduring and influential careers in British television history, spanning the late 1950s into the 21^st century.

The material will be stored at the BFI National Archive’s paper store at Berkhamsted where it joins over 600 named collections from individuals such as producers Michael Balcon, David Puttnam and Betty Box, directors including David Lean, Joseph Losey, Michael Powell, Carol Reed, Mike Hodges, Muriel Box and Derek Jarman, writers such as Emeric Pressburger, Janet Green and Trevor Griffiths, and documentary filmmakers such as Humphrey Jennings, Derek Armstrong and Michael Orrom. Among the most recent additions to the collection are the archives of Ken Loach, Alan Parker, Jenny Beavan, Richard Lester, Karel Reisz, Jack Clayton and Halas & Batchelor. The Whicker papers will be able to be consulted by researchers and students of television history once cataloguing is fully completed.

Robin Baker, Head Curator, BFI National Archive said, “This is a major collection that gives us a unique insight into one of the great figures of 20^th century television. Alan Whicker was a household name, famed for his daring and insightful investigations of people from all walks of life, from close to home and around the globe. His standards were meticulously high and his programmes set a benchmark for longform television documentary. The Alan Whicker collection is a very generous and important donation from Valerie Kleeman of the Whicker’s World Foundation, for which we are extremely grateful. We’re delighted that Whicker’s papers are now part of the national collection of film and television. “

Valerie Kleeman, Whicker’s partner in life and work for over 40 years and founder of the Whicker’s World Foundation said, “The Whicker’s World archive is now where it belongs – in the safekeeping of the BFI – where, I hope, its content will be of help and guidance to generations to come.

The 90 boxes, carefully curated by archivist Catherine Kirby, contain an intimate and personal take on the last half of the 20^th century. Beginning with a letter informing him he has passed his School Certificate and continuing throughout his life in the Army Film and Photographic Unit, journalism and television, Alan Whicker observed both the light and the shadows of life.

Often he witnessed history in the making: war trials in Strasbourg, race riots in Alabama. He had access to the unaccessible: dictators, witch doctors, cults – and even the occasional royal. ‘Whicker’s World’ covered everything from bullfighting and the first gay weddings to the horrors of Papa Doc’s Haiti, always with intelligence, often with humour.

Whicker wrote and filmed what he saw, he had no preconceived ideas, no axe to grind. His motivation was to stimulate, to interest, to entertain…..and to allow viewers to come to their own conclusions.

The archive contains 60 years of carefully documented work: transcripts, notes, diaries and photographs, a lifetime of watching the world through thoughtful, quizzical eyes.”

Alan Whicker CBE (1921-2013) was a renowned journalist, broadcaster and television presenter. During the Second World War he joined the Army Film and Photo Unit, and by the 1950s he was working as a foreign correspondent for a Fleet Street agency, and then as a broadcaster for BBC Radio. In 1957 he was spotted by producer Alasdair Milne (later Director-General of the BBC) who gave him a regular ‘Whicker’s World’ slot on the ground breaking Tonight programme. This paved the way for the longer format Whicker’s World which began in 1965 and ran for 40 years on the BBC and ITV.

His reportage spanned the globe and covered a huge range of subjects which reflect all aspects of 20th century culture, politics and history. These include race relations, gay marriage, gun culture, bullfighting, haute couture and interviews with significant (and often controversial) figures of the 20th century, for example, Francois Duvalier (‘Papa Doc’), the notorious Haitian dictator, and oil billionaire John Paul Getty. At the height of his popularity Whicker’s programmes commanded audiences of 15 million people. Whicker’s work was also significant in terms of style and format, for example, he was an early pioneer of the ‘blue light’ programme, a format that is now well-established and perennially popular (shadowing police in their daily and nightly duties). Alan Whicker is a significant cultural figure and a household name for a whole generation. He won many awards during his career including the BAFTA Richard Dimbleby Award and the Screenwriters’ Guild Best Documentary Script (in 1963). His legacy lives on through the Whicker’s World Foundation which supports new documentary talent.

About the BFI

The BFI is the lead organisation for film in the UK with the ambition to create a flourishing film environment in which innovation, opportunity and creativity can thrive by:

Connecting audiences to the widest choice of British and World cinema
Preserving and restoring the most significant film collection in the world for today and future generations
Championing emerging and world class film makers in the UK – investing in creative, distinctive and entertaining work
Promoting British film and talent to the world
Growing the next generation of film makers and audiences

The BFI is a Government arm’s-length body and distributor of Lottery funds for film. The BFI serves a public role which covers the cultural, creative and economic aspects of film in the UK. It delivers this role:

As the UK-wide organisation for film, a charity core funded by Government
By providing Lottery and Government funds for film across the UK
By working with partners to advance the position of film in the UK.

Founded in 1933, the BFI is a registered charity governed by Royal Charter.

The BFI Board of Governors is chaired by Josh Berger.

About the BFI National Archive

The BFI National Archive was founded in 1935 and has grown to become the one of the largest and most important collections of film and television in the world with over 180,000 films and 750,000 television programmes. For over 80 years the BFI has been an international leader in film preservation and guardian of Britain’s unparalleled film and TV heritage. The BFI is an innovator in presenting films to audiences in new and dynamic ways, from cinemas to film festivals, outdoor events to online video-on-demand. At the heart of all its activities is the BFI’s central aim to ensure that everyone in the UK has access to the widest possible range of film and their own film heritage.

That heritage includes all time great British directors Alfred Hitchcock, David Lean and Powell and Pressburger; and the rich vein of documentary filmmaking, in which Britain led the world, including the lyrical work of Humphrey Jennings. The archive also boasts a significant collection of filmmakers’ papers as well as extensive stills, posters and production and costume designs along with original scripts, press books and related ephemera.

Expert teams undertake the time-consuming and complex task of restoring films at the BFI John Paul Getty Jr Conservation Centre in Hertfordshire. The BFI’s most precious film materials are kept in optimum conditions in the world-leading Master Film Store in Warwickshire.

Stills

A selection of stills for press use in connection with this story can be found at:

www.image.net/BFI/BFI National Archive/Whicker

Press contacts:

Brian Robinson, Communications Manager, Archive & Heritage, BFI

Email: brian.robinson@bfi.org.uk

Tel +44 (0) 207 957 8940

Mobile: 07740 171968

Judy Wells, Head of Press and PR , BFI

Email: judy.wells

Tel +44 (0) 207 957 8919

Mobile: 07984 180501

For press enquiries about Whicker’s World Foundation please contact:

Siobhan Connor CONNOR PR +44 (0)7966 177025 siobhan@connorpr.com

Connor PR working with Shirley Oaks Survivors Association (SOSA) on the ‘Don’t Touch It. It’s Mine’ campaign

CHILD ABUSE SURVIVORS UNITE IN MUSIC VIDEO TO RAISE AWARENESS OF HISTORIC HIGH POWER PAEDOPHILE RING & CALL FOR A REINVESTIGATION INTO HANGED BOY, PETER DAVIS’, DEATH

LONDON, 24^th November 2015: The victims of one of the world’s most horrific and high profile cases of child abuse will today unite to appear in a music video as part of a landmark venture to try and raise awareness of the high power paedophile ring, which included politicians, celebrities, scout masters, members of the Catholic church, that infiltrated more than 20 children’s homes in the Lambeth area from 1950’s – 2000’s. The “Don’t Touch It. It’s Mine” campaign aims to bring justice to the hundreds of victims that suffered at their hands, 12 of whom committed suicide, and lift a 100 year access restriction order on the victim’s files. Award winning author and chair of the Shirley Oaks Survivors Association (SOSA), Alex Wheatle MBE, himself a victim of abuse at Shirley Oaks and now seeking justice, is hoping that the campaign will encourage more witnesses to come forward enabling police to reopen an investigation into 15 year old Peter Davis’ death, who was found hanged at Shirley Oaks in Croydon in 1977.

Written by music mogul, Raymond Stevenson, who discovered Jessie J when she was 15 and was himself physically abused going on to become the founder of SOSA, with input and melodies by X Factor / Alien Uncovered star, Temple Praise, the track is entitled ‘Don’t Touch It. It’s Mine’ and will be released in early December this year. The track features haunting testimonies from the victims. The video will tell the story of the true horror suffered by vulnerable young children during decades of abuse at Shirley Oaks and aims to encourage more people who have any information to come forward and speak out, so that police investigations can be reopened and Government can lift the 100 year access restriction on files for former Shirley Oaks residents. The video will be made available to download from the first week of December 2015 (date TBC) with all funds going towards helping SOSA track down victims from across the UK and around the world.

Raymond Stevenson, SOSA founder, said: “I have done many campaigns and they have always been motivated by personal circumstances and issues that blight communities. Maybe because I survived the hell of Shirley Oaks I believe it’s my duty to help others. I say this not just because I was a victim but there can be no greater crime levied at humanity than paedophillia. Then add that these were abandoned children in the state’s care already unloved and frightened, some already victims and others whose parents died. Then add the lies, the cover-up, the conspiracy and now we learn that this could have all been prevented. This video will enable victims to tell their story through a medium that cannot be tampered with or edited. The chorus in the song simply says, ‘you don’t know what they done to me’. The video will show the fear horror and abuse through art. A line in the song that asks the question, ‘what happens if it was your child?”

Amongst the alleged abusers are Jimmy Savile, as well as former Lambeth Labour councilors, Toren Smith and Susan Smith, who have been convicted. There have been two major police investigations into abuse at children’s homes in South London and a total of three people have been convicted of offences; one relating to Shirley Oaks, swimming instructor, William Hook, and the remaining two including Michael John Carroll who ran Angell Road children’s home and Les Paul from South Vale Children’s Home.

SOSA is demanding answers for one very specific matter – the sudden death of 15-year old Peter Davis in 1977, found hanged in a toilet with a cord around his neck. Following signs of sexual acitivy, a coroner ruled “death by misadventure“, but friends who grew up with him believe he was the target of paedophiles. Peter was the chief witness in a rape trial at the Old Bailey two years before he died where he gave evidence in regard to both his and his sibling’s rape. When the BBC looked for court documents from the time, they found that in 2003 they had been made secret for 100 years. Former senior detective Clive Driscoll said reopening the case would be a “great opportunity for detective work”.

Chuka Umunna, Labour MP for Streatham, who has constituents who are Lambeth abuse survivors said: “This is an important step for the campaign. I hope the excellent work that the survivors association are doing will help other survivors feel able to come forward and speak out. By the police’s own admission, previous investigations were ‘of the time’ and did not meet the standards we would apply today. The police owe it to the survivors group to reopen the investigation into Peter Davis’s death.”

The Metropolitan Police said officers looked at available material relating to Peter’s death in September 2014. A statement said: “In the absence of further new witnesses or new lines of inquiry, the matter remains closed. If new witnesses are identified who are prepared to provide police with statements that challenge the recorded decision then an assessment of that material will be undertaken.”

SOSA and Urban Concept’s¹ research and on-going investigation is focused specifically on 1965 onwards when Lambeth took over the controls of Shirley Oaks. There have been multiple inquiries, most recently by the Metropolitan Police and Lambeth Council from 1998 – 2003, which cost millions of pounds, and resulted in the arrest of one paedophile from Shirley Oaks and two other paedophiles from other south London children’s homes. In the first eight months of interviewing over 300 children who attended Shirley Oaks and other South London Children’s Homes, Urban Concepts¹ uncovered more than 16 paedophiles. When they discussed this with the Police their response was dismissive. A few weeks later Urban Concepts discovered a document produced by the Police and Lambeth Council which stated that 16 paedophiles died before or during the Police operation. This included one suicide during the trial in March 2003, 19 cases the alleged paedophile could not be identified and one case where the victim died before being able to give evidence. In some 11 cases the CPS took no further action and one case fell through after the suspected paedopile committed suicide during his trial.

Singers for the “Don’t Touch It. It’s Mine” campaign include 23 year old Millie from Essex, 21 year old Sophie from West Sussex and 21 year old Royal Opera House ballet dancer, Lucy from Stoke. The group known as ETHAMIA were selected based on their suitability to understand the subject matter and to empathise with the victims. When Urban Concepts¹ played the track, the girls burst into tears and demanded to be part of the project. Taking their roles as ambassadors for victims seriously, the girls did their own research and went to Shirley Oaks and also accompanied the victims as they made a presentation to Lambeth council.

Principal crew for the music video will include: director, Giles Borg (Flutter, 1234, Home) with over twenty years of experience in music, film and television directing music videos, full length feature films, commercials and TV programmes; Jospeh Crone, a multi-talented fashion stylist and costume designer with a diverse list of clients and credits in the music, commercial and film sectors of the industry, from James Blunt to Dizzee Rascal, Investec to Innocent; and Ryan Jenkins, one of the UK’s most sought after choreographers, recently appointed creative director by UK government to represent and create work for Great Britain National day at Milan Expo 2015.

Choreographer, Ryan Jenkins, said: “This project has opened my eyes to the unimaginable pain and torture these people have experienced. It makes me so angry to know that nothing substantial has been done by those in authority. I want to help bring justice for these people. This is a story that needs to be told and the time is now.”

The Shirley Oaks campaigners are part of a wider phenomenon – a “survivor” activism that is changing the balance of power in relation to child abuse. Where once victims were ignored or silenced, now they are coming together through social media, forming support groups and building a crescendo of noise that the authorities are forced to acknowledge.

Lambeth Council is supporting the Shirley Oaks Survivors’ Association in their campaign to identify further victims and offer counselling to those who have not already received it but feel they would now benefit.

-ENDS-

Join in the conversation @ShirleyOaksSA / #ShirleyOaks

**CAMPAIGN AMBASSADORS, RAYMOND STEVENSON AND ALEX WHEATLE MBE, ARE AVAILABLE FOR INTERVIEW UPON REQUEST**

Connor PR working promoting Shirley Oaks Survivors Association’s latest campaign, Don’t Touch It. It’s Mine”

Connor PR’s latest TV project 41 Dogs In My Three Bed Semi – Friday 9th October 2015, 8pm, Channel 5

41 Dogs In My Three Bed Semi

Friday 9th October 2015, 8pm, Channel 5

Dog-mad Lynn Everett loves her pet dogs so much she shares her semi-detached home with 41 of them
Meet animal owner of 60, Steve Lucock, who claims his appearance on Britain’s Got Talent contributed to a failed marriage and left him with a home full of animals
Dog enthusiast Emmie Stevens, 27, is so devoted to her pets that she has spent £60,000 on pampering them – with two hounds even getting hitched

Lynn Everett

There are estimated to be 71 million pets in Britain today, and 45% of households now own at least one. However, for some, one is nowhere near enough. In this remarkable film, a Middlechild production – we reveal Britain’s most staggering animal obsessives and witness what happens when animal obsessions get out of hand; the animosity, the relationship breakdowns, the risk of losing everything, and the tales of people who love animals so much they collect dozens of them in their homes.

In this one-hour documentary screened on October 9th at 8.00pm on Channel 5, we meet 57-year-old dog-mad Lynn Morgan from Barnsley, a dog obsessive. Many people have one of their favourite breeds of dogs as a pet, Lynn has one in every colour! At last count, Lynn had 41 dogs, all living inside her modest semi-detached home. Lynn lives with 25 French Bulldogs, six Chinese Crested dogs and 10 Miniature English Bull Terriers.

41 Dogs in a 3 bed Semi

We follow Britain’s Got Talent performer Steve Lucock and his 60 animals as he battles to put food in the mouths of his beloved wild family, whilst attempting to feed his own obsession; and dog-lover Emmie Stevens from Croydon who has a paw print tattooed on her wedding finger.

Lynn Everett and husband, Tony Morgan, live amongst their 41 dogs in her three-bedroomed semi on a very normal-looking street in Barnsley. The dogs are free to roam the downstairs of the house and share the sofas with Lynn and Tony. 41 is the maximum number the council will allow her to keep but if she could, she’d have many more. It’s a stressful existence living amongst 41 dogs and Lynn and Tony have a very fiery relationship, especially when it comes to matters concerning the dogs.

41 Dogs in a 3 bed Semi

In this film, we learn all about their lifestyle and witness the effect it has on their relationship. We meet Lynn’s disabled dogs and she explains how she gives every dog a chance, no matter how much it costs her. We reveal that Lynn breeds some of her more prized pooches and that this helps fund the upkeep of her extra-large family.

Lynn leaves the house just once a year, to go on a scouting mission to Crufts. Lynn began by breeding Bull Terriers but soon found that she couldn’t bear to part with them once born. She has sold some of her more prized puppies in the past but even though she has been breeding dogs since she was 18, she admits it’s becoming nearly impossible to let any new ones go. And now, as long as she sticks within the 41 she’s allowed, instead of selling, she’s buying too! Lynn has five chest freezers and spends £280 on tripe each month to feed her pets. She also buys copious amounts of fabric softener for the dogs’ blankets and there are beds set up for them in the front room.

Not many people could cope with the set-up the couple have in the house but Lynn’s personality seems to suit it perfectly. The worst consequence of their lifestyle choice is the abuse they attract from outsiders who don’t believe the dogs can be healthy or happy in such an environment. This has resulted in substantial trolling over the Internet, on dog-based forums and social media. The pinnacle of the abuse came during Christmas 2014, when a brick was thrown through their window.

Meanwhile in Blyth, Northumberland, animal addict 47-year-old Steve Lucock was at the peak of his career as a magician in the mid-2000s, performing around the country with his wife as his on stage assistant. As Steve is so obsessed with animals, he based their entire show around them. When their act featured on the TV show Britain’s Got Talent, the exposure resulted in 100 animals in need of a home being dropped on their doorstep, in addition to the 60 they already had! Steve’s reluctance to part with the new animals put a strain on his marriage, eventually leading to divorce and plunging Steve in financial disarray.

Not every animal act on Britain’s Got Talent goes the same way as Pudsey or Matisse it seems. Now, unemployed and without a performing partner, Steve has been forced to reduce the number of animals he lives with back to a more modest level of 60. Steve’s living room is home to a parrot and around the rest of the house you’ll find dogs, cats, meerkats, owls, raccoons, skunks, snakes, turtles, rats, doves, rabbits and Steve’s showpiece… his foxes.

The foxes are house-trained and his red fox, identical to the ones who roam the streets at night, is as tame as a ‘well-trained dog’. He often takes his fox when he entertains at children’s parties, much to the amazement of the attendees, who cannot believe how domesticated it is. Steve’s animal obsession has had serious financial repercussions. He only manages to feed his animals through donations given to him after shows he puts on for free locally. However, he is determined to continue growing his collection and is always on the lookout for new additions. In this film, we follow Steve as he tries to turn his fortunes around. We witness a rather tragic performance at a holiday camp and see evidence of Steve’s problems with money. However, he’s come up with a new idea for a show that he hopes will be a big hit on the kids’ party scene. Called Animalgique, it tells the story of the animals’ struggle against man and what children can do to help. Steve rehearses his show and promotes it around Blyth before the big night of his premiere arrives.

In Wiltshire, Mary Cunningham’s small house is overrun with cats. For many years she’s been taking them in and providing homes to any that are offered to her. Her whole life revolves around her feline family. Mary’s house is also brimming with clutter, she claims that this in fact just ‘stock’. Mary raises money for her cats by visiting car boot sales and fetes, selling her ‘stock’. In this film we learn that Mary faces the threat of eviction if the number of cats increases in her home, or if she can’t maintain the property. We watch as Mary attempts to secure a pitch at the biggest event of the year, The Calne Summer Festival and Carnival. If she can get a stall there, she’ll clear a lot of her ’stock’ and make enough money to do some decorating.

Emmie Stevens’ is an animal obsessive in training – her current 12 dogs are some of the most pampered pooches in the country. Emmie, 27, from Croydon, South London, is obsessed with dressing up canines and even calls them her children. Over the past seven years she has spent £60K on them. To Emmie, her dogs are her children and she feels a very maternal connection to them. As she says, “parents like dressing their children up” and that’s precisely what she does with her dogs. She has a whole room devoted to their outfits. Recently, Emmie married two of her dogs at a lavish ceremony attended by 30 of their best doggie friends. In the film we learn that Emmie’s addiction to dogs started after enduring years of confidence-destroying bullying before buying her first dog, Doodles. The love and happiness she got from him, and the compulsion to care that grew inside her, drove her to seek that ‘buzz’ over and over again. If there was more room in her house she’d have more dogs and one day Emmie fully intends on increasing her collection.

-Ends-

Connor PR promoting 41 Dogs In My Three Bed Semi, Connor PR expert in TV promotion

Shrewsbury School Charity Fashion Show raises £3000 for charity

I was asked to compere the annual Shrewsbury School Charity Fashion Show which took place a few weeks ago. Organised entirely by A level students at Shrewsbury School and now in its 6th year, the show raised £3000 for Brain Tumour UK and Ethiopiad which is a fantastic achievement. I also met the fabulous Jeans Woods Since who you may recognise after her appearance on Channel 4’s Fabulous Fashionistas, a documentary about stylish older women.

http://www.shrewsbury.org.uk/news/£3000-raised-charity-catwalk

Give Up Clothes For Good exhibition by world famous photographer Jason Bell

In celebration of the 10th anniversary of the Give Up Clothes for Good campaign, TK Maxx and Cancer Research UK are hosting an exclusive exhibition of works by world famous photographer Jason Bell. I arrived at the Pall Mall Galleria and was proud to see my PR campaign from 2014s Give Up Clothes for Good campaign on display.

Give Up Clothes For Good encourages donating your old clothes to raise money for children’s cancers.

http://www.express.co.uk/news/showbiz/512015/Jerry-Hall-shows-off-her-youthful-looks-at-Cancer-Research-and-TK-Maxx-charity-launch

Launched in 2004, Give Up Clothes For Good is a biannual campaign based on encouraging people to clear out their wardrobes and donate quality unwanted clothes and household items to raise money for the treatment and cure of childhood cancers. The donated items are collected from TK Maxx stores and later sold across the network of CRUK stores.
I needed to come up with a witty and motivating call to action that encouraged the whole nation to take part in the biggest clothes collection ever. We took the double meaning of ‘Give Up Clothes For Good’ to suggest we all go naked for a good cause. A simple proposition that would guarantee stand out across all media. In order to engage the public and ensure extensive coverage, we set about contacting a host of celebrities to pose for some very tasteful and modest, naked themed shots, playing on the campaign strapline ‘Bare as you Dare’. Celebrities including Jade Jagger, Bruno Tonioli, Liz McLarnon, Sol Campbell, Lucy Benjamin, Julia Bradbury, James Anderson, Christopher Biggins, Kate Walsh all ‘dared to bare’ For the cameras in aid of raising valuable funds for charity and encourage the public to
strip their wardrobes bare too.

Whilst I was confident that images of naked celebrities shot by renowned celebrity photographer Jason Bell would provide us with a compelling news pictures, we also felt that the campaign project merited a pre awareness launch and a series of regional launches around the country that would serve to maximize awareness.
During the pre awareness stage TK Maxx, HomeSense and Cancer Research UK teamed up with online auction site eBay for a celebrity clothing auction. I set about contacting celebrities – Sharon Osbourne, Duffy, David Walliams, Jade Jagger, Tyra Banks, Nicky Hilton, Rupert Grint, Leighton Meester and the Duchess of York are just some of the celebrities who pledged an item. The team got busy selling in to fashion bloggers, showbiz desks and celebrity titles.

A week before the media launch day on April 6th the celebrity images were seeded with Press Association and Heat magazine offered the magazine exclusive. Over the Easter bank holiday weekend, the national picture desks and showbiz desks were spoken to in order to ensure the messaging and campaign credits were correct. National and regional sites were targeted, as well as relevant fashion blogs, entertainment and lifestyle outlets. encourage bag drops.

Local celebrities across six key regions with high regional media density also helped drive awareness. Regional photo-calls took place on launch day with local talent wearing a large Give Up Clothes For Good bag including Paul Potts in Cardiff, TV presenter Amanda Hamilton in Edinburgh, Ex Gladiator in Leeds, BBC Midlands presenter Suzanne Virdee in Birmingham and Orlaith McCallister in Belfast, as well as a photocall in Southampton. The team got busy selling in the pictures to regional targets. Inorder to target the fashion press, we worked with Jade Jagger who carried out interviews for Stylist and Stella. In addition we secured interviews with Bruno Tonilio in OK Magazine, Kate Walsh in Closer.

To keep the momentum going throughout the three week campaign and to encourage bag donations we scheduled regional activity during this time, including ‘naked’ radio drops using two naturists from Living’s ‘Four Weddings’ Fame in the final week.
TK Maxx, HomeSense and CRUK have smashed the 2008 till point donations revealing £258,097.65 worth of donations.
On Monday 5th April, the pictures and press release were issued under embargo to all national and regional newspapers and all major online outlets, supported by an aggressive call round.

The following morning I had secured newspaper coverage within The Sun, Daily Mirror, Metro, Daily Record, Daily Star, Daily Mail, The Times, Daily Telegraph.
The story was also successful in reaching newspaper websites including The Sun Online, Daily Mirror Online, Metro Online, Daily Mail Online, and The Daily Telegraph Online, as well as a fully credited.

Other key outlets secured include BBC Entertainment News, Sky News, Yahoo! and MSN, all crediting TK Maxx, HomeSense and Cancer Research UK. Online coverage continued to mount throughout the day, with stories appearing on online outlets.

The campaign became part of the ‘naked’ zeitgeist and discussions on Radio 4’s Woman’s Hour and articles in the Evening Standard ‘Naked London’ affiliated TK Maxx and CR-UK with the story. As well as TV presenter Kate Walsh talking about the campaign on Live At Studio Five and Liz McClarnon on The Wright Stuff.
Total coverage
149 clips
£582,888 AVE
100,090,554 Circulation

House of The Rising Sun Restaurant Review in this month’s Shropshire Magazine

Connor PR specialist in launch and event PR has secured a fantastic review in this month’s Shropshire Magazine for client House of the Rising Sun, in Shrewsbury, Shropshire

and Australia’s strong ties with Japan also help determine the taste and style.

Gypsies, Come Dancing!

Press Release
Gypsies, Come Dancing!

Forget Got to Dance and Strictly Come Dancing, telly bosses are currently battling it out for the rights to bring an even more sequined dance event to our screens, the World Gypsy Dance Championships! The first and only worldwide contest for dancers from the Gypsy, Roma, Traveller community is to be hosted in London later this year. Organisers have already begun the worldwide search for the next Gypsy dance star, and are expecting stiff competition for the coveted gold medal.

Running the contest is Irish Romany Gypsy, Róisín Mullins, a former Irish Dance World Medallist and dancer with Michael Flatley’s Lord of the Dance. Róisín has judged thousands of Gypsy acts, including performing horses, in TV talent shows such as Travellers Got Talent and Gypsy and Traveller Face of the Year, alongside singers David Essex and Jentina. But now Róisín will be encouraging Travellers to swap their twenty stone wedding dresses for flamenco skirts, hitch up their wagons, and hit auditions at Traveller fairs, sites and events throughout the UK.

Róisín Mullins said: “The World Gypsy Dance Championships is a fantastic opportunity for dancers to take centre stage. We have already seen singers from the community make it on TV talent shows, but for me, the dancers represent our culture best”.

Joining Róisín to organise the contest will be her Gypsy partner, Irish dance show producer, Jack Jacobs. The pair are keen to show off a more positive side to the community, at what they hope will be the biggest gathering of gypsy dancers in history. Event organiser Jack is particularly excited about revealing the community’s hidden talent.

Jack Jacobs said: “The contest is a real first for the Gypsy and Traveller community. There are some incredibly talented dancers out there, and traditional dance styles that we, in the UK, have never seen before. So the chance to pull Gypsy dancers together from all over the world to compete against one another will be an amazing site”.

Celebrities rumoured to be taking a seat on the judging panel alongside Róisín include world famous Gypsy dancers, and stars from the BBC’s Strictly Come Dancing.

As well as heavily diamented costumes and fake tan, the contest promises to deliver an all out battle of traditional versus modern, with Flamenco and Irish dancing facing off against hip hop and street dance.

Entrants can compete in any dance style, but must be from a Gypsy, Roma or Traveller background.

To enter visit www.worldgypsydancechampionships.com

Press Enquiries:
For all media enquiries please contact: siobhan@connopr.com Tel: 07966 177025 or Jack Jacobs at jackjacobs@live.co.uk

Connor PR entertainment PR Specialist, Connor PR working with Gypsies, Come Dancing

Siobhan Connor MD Of Connor PR worked with Mick Fleetwood for two years

Mick Fleetwood

Really great interview in today’s Sunday Times Magazine with Mick Fleetwood, ‘Excess all areas’ by Matt Munday. I worked directly with Mick in 1999, was a big fan of his sister, the actress Susan Fleetwood who sadly passed away in 1995.

Mick Fleetwood has survived nearly 50 years in rock’s most dysfunctional band, Fleetwood Mac. Now they’re back on the road

Mick Fleetwood on Fleetwood Mac: ‘We’re totally driven by drama’

Fleetwood insists the band members love each other really but ‘just push the wrong buttons’

Mick Fleetwood has admitted that Fleetwood Mac are still “totally driven by drama”, likening it to an “addiction”.

Four members of the band’s classic ‘Rumours’-era lineup – Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks – reunited this April (2013) for an extensive world tour that will include six arena shows in the UK in September and October.

“We’re totally driven by drama,” Fleetwood said in a new interview with The Sunday Times. “I think we’re calming down a bit, but we’re terrified of not feeling. So if nothing’s happening you’ll worry yourself into creating a drama – just so you’ve got something to react to. It’s sort of an addiction, really.”

However, Fleetwood’s bandmate Stevie Nicks revealed that she and former lover Lindsey Buckingham managed to bury the hatchet shortly before the band began their reunion tour. “I said to Lindsey, ‘We have got to change this. We cannot be enemies for one more day’,” she recalled. “Because you never know – things happen. You don’t know if you’ll ever tour again. So we have to walk on stage hand in hand, and we have to mean it.”

Meanwhile, Fleetwood took the opportunity to quash the common misconception that the four members of the band don’t really get along. “This might sound really corny, but the biggest rumour about Fleetwood Mac is that we don’t really like each other,” he explained. “I understand why people would think that, after everything we’ve said and done. But the reality is, we love each other. We just push the wrong buttons.”

Fleetwood Mac will play three dates at London’s O2 Arena on September 24, 25 and 27 before taking to the stage at Birmingham’s LG Arena on September 29, Manchester Arena on October 1 and Glasgow’s The Hydro on October 3.
Read more at http://www.nme.com/news/fleetwood-mac/72100#QPt9rKk2LtCyrXZ9.99

Sunday Times / NME

Siobhan Connor from Connor PR works with Mick Fleetwood, Connor PR specialist in Music PR, Connor PR Music PR agency, Connor PR specialist in celebrity PR, Connor PR Entertainment PR specialist

Connor PR Entertainment PR specialist