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Whicker’s World Foundation launches new grant for New York-based Chicken & Egg Pictures
Whicker’s World Foundation launches new grant for New York-based Chicken & Egg Pictures
- Whicker’s World Foundation is expanding its reach to help ensure that more women enter the profession.
- Chicken & Egg Pictures supports women non-fiction filmmakers whose artful and innovative storytelling catalyses social change.
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Submissions for existing Whicker’s World Foundation Awards 2017 are being accepted.
Whicker’s World Foundation launches a new bursary for New York-based Chicken & Egg Pictures, to help fulfil their mission to increase the number of women documentary makers introduced into the industry pipeline.
Whicker’s World Foundation—set up to fund a new generation of documentary makers—is expanding its reach to help ensure that more women enter the profession. The Foundation, which awards one of the biggest cash prizes in documentary production (£80,000 to an individual) has created an additional annual £10,000 grant for Chicken & Egg Pictures’ Accelerator Lab program.
Accelerator Lab, open to applicants from around the world, provides first- and second-time women filmmakers with a $35,000 grant, a year-long creative support program with participation in three one-week labs (all expenses covered), mentorship catered to each individual and her project, and opportunities for networking with industry professionals and the filmmaker community. As Jenni Wolfson, Executive Director of Chicken & Egg Pictures, said about the program, “We don’t simply support films, we foster careers. This holistic approach is the key to successfully supporting women filmmakers.”
The New York-based organisation’s strategy uniquely aligns with Whicker’s World’s continued efforts to broaden the world of documentary. Announcing the new annual award, Alan Whicker’s lifelong partner and founder of the Foundation Valerie Kleeman said: “Alan wanted his legacy to help documentary makers the world over. He was ahead of time in his enthusiasm and support for the female perspective in his own filmmaking. At the Whicker’s World Foundation, we want to be sure that there is equal opportunity for men and women in documentary and I have been impressed by the fact that Chicken & Egg Pictures give to women when they most need it. I feel sure that funding at an early stage will make a huge difference to women in this industry.”
The Foundation is kicking off its support with a grant towards Assia Boundaoui’s participation in the Accelerator Lab program for The Feeling of Being Watched, an exploration of the FBI’s pre-9/11 counterterrorism activities in the filmmaker’s Arab-American neighbourhood outside of Chicago.
“We are so excited about this highly topical project and hope our support will help ‘accelerate’ Assia’s film towards receiving more funding and making the most powerful film she can. Last year, only one in five of our finalists for our main funding award was a woman. We hope the Whicker’s World grant to the Accelerator Lab will widen the base of would-be applicants,” said Jane Ray, Artistic Director of Whicker’s World Foundation.
Not the first time the two organisations crossed paths in the world of documentary, the Foundation previously made an ad-hoc payment of £5,000 to another Chicken & Egg Pictures grantee, Hana Mire, who is developing Rajada Dalka (Nation’s Hope), the working title of a film about Somalia’s women’s national basketball team.
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Notes to Editors:
For press enquiries about Whicker’s World Foundation please contact:
Siobhan Connor
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About Whicker’s World Foundation
Whicker’s World Foundation was set up in 2015 and gives one of documentary’s biggest cash prizes (£80,000) to an authored documentary-maker every year and £15,000 to the runner up. Entries for the main WWF Funding award close on February 14th 2017.
Applications for the Radio & Audio Funding Award close 28th February 2017
Applications for the 2017 Audio Recognition Award close 14th February 2017
Applications for the 2017 Sage Awards close 14th February 2017
For further information visit www.whickersworldfoundation.com
Join the conversation: facebook.com/whickersworldfoundation
https://twitter.com/whickersworld @whickersworld
Chicken & Egg Pictures
Chicken & Egg Pictures supports women non-fiction filmmakers whose artful and innovative storytelling catalyzes social change.
For more information, visit chickeneggpics.org or contact Cindy Choung, External Relations Manager, Chicken & Egg Pictures, at cindy@chickeneggpics.org
http://www.feelingofbeingwatched.com/home/#the-film
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Whicker’s World Foundation launches inspiring Funding Award at Radio Festival
Whicker’s World Foundation launches
inspiring Funding Award at Radio Festival
- Whicker’s World Foundation launches the Radio & Audio Funding Award (RAFA) at the Radio Festival, the annual celebration of all things audio at the British Library. The festival brings together a full media scope of leading figures from the UK’s audio industry.
- Supporting authored storytelling in the UK, taking us into new or hitherto unseen worlds, RAFA will help fund independent audio documentary makers.
- RAFA Awards are worth a total of £7,000.
- Submissions for this and existing Whicker’s World Foundation Awards 2017 are now being accepted.
Whicker’s World Foundation will today, at the UK’s popular Radio Festival hosted by broadcaster Paddy O’Connell launch a brand-new funding award – the RAFA – to help aspiring independent audio documentary makers. The awards were created to celebrate and encourage excellence in audio documentaries, and have been generously funded by a legacy left by the celebrated journalist Alan Whicker who died in 2013. Whicker wanted to encourage curiosity, stimulate the senses and empower talent which might otherwise never find a place in today’s highly-competitive industry.
The Whicker’s World Foundation, launched in 2015, has already awarded over £100,000.The award prizes consist of £5,000 for the winner and a runner-up prize of £2,000. The winning pitches will offer new and exciting ideas for audio documentaries, meeting Whicker’s World Foundation criteria of: taking us into a new or hitherto unseen worlds; being personal but not partisan; and with an emphasis on strong original storytelling and development of the medium. Applicants need to supply up to six minutes worth of audio in support of their proposals.Deadline for entries is 23rd December 2016, there is no application fee and candidates can apply online. The best five will be invited to pitch at an event in March 2017 and the winners will be announced at next year’s Radio Festival.Whicker’s broadcasting career began in radio and he went on to join Radio 2 in the late 1990s, adding what Jim Moir, the then Controller, described as “Great lustre to my network”. Alan was an avid fan of radio documentary and told the press he wanted to return to it because, unlike TV, it didn’t ‘dumb down’ – radio and ‘assumed an intelligent audience’. Alan Whicker’s passion continues into new generations with awards such as RAFA, created to empower emerging talent.The panel of judges will be looking for imaginative storytelling, either breaking new ground or taking a familiar path in a new and innovative direction. Valerie Kleeman , Whicker’s partner in life and work for over 40 years, said: “Alan was well aware that he had been lucky enough to start working at a time when serious journalism was respected and presenters given the freedom to fashion their own programmes. He and his colleagues were writing the grammar of what was to follow; they were given support and opportunities and often allowed to learn on the job. He was aware that this scenario is not replicated today; money is scarce and commissioners are reluctant to green light without a celebrity name fronting a subject with which they often have little connection. Alan, who felt the best shot of himself was the back of his head, abhorred this trend. He was apolitical; he sought to intrigue and stimulate but not to influence. He strived to uncover the unusual as well as entertain. Above all he was a writer and observer who wrote and filmed what he saw. At the Foundation we seek to use Alan’s legacy to further his vision and to help those with talent to take the first step up a ladder which is increasingly difficult to climb.“
Jane Ray, Consultant Artistic Director for Whicker’s World Foundation said: “I am thrilled that the Radio Festival are partnering this new funding award for audio. I am a passionate believer in the enduring power of the well made, thoughtfully produced audio documentary. The other day we were contacted by someone looking for a series Alan Whicker had made 18 years ago. They knew the title and could describe the pictures vividly – then remembered they’d actually ‘seen’ radio broadcasts. Those who inspire us to listen, I mean really listen, and take us deeper into understanding the notions and motivations that shape our human story need to be nurtured. If this award goes some way to helping talented independent audio producers realise their documentary dreams Alan Whicker’s legacy will be wonderfully well served.”Roger Cutsforth, The Radio Academy Managing Director added: “The Radio Academy is proud to be partnering with Whicker’s World Foundation on this fantastic initiative to encourage and support new talent in audio documentary making. The Radio & Audio Funding Award [RAFA] is a wonderful legacy of the late, great Alan Whicker and his passion for the medium and will be a wonderful addition to the Radio Festival.”
Francesca Panetta, last year’s runner up for ‘The Dhammazedi Bell’ and multimedia special projects editor at The Guardian said: “It’s wonderful to see this new funding award. There is so much talent out there but few avenues for funding creative audio. I’m looking forward to seeing or more appropriately hearing the results.”
Nina Garthwaite, founding director of In the Dark Radio, added: “While the Internet has opened up new platforms for independent audio production, it’s still not always easy for producers to find the funding to do the work they’re passionate about and you need money to have the time to really explore your ideas. So it’s great that the Whicker’s World Foundation Awards want to support radio makers with a strong independent voice and a desire to develop the medium. I’m excited to hear the results!”
Will Jackson, managing Director of the Radio Independents Group commented: “RIG greatly welcomes this new funding award, which gives the next generation of Britain’s audio documentary makers an invaluable opportunity to join the ranks of Britain’s highly successful indie production sector.”
Alan Hall, previous Whicker’s world Foundation audio judge and CEP of Indie Falling Tree said: “It’s exciting to welcome a new funding award that encourages documentary production to go beyond worlds (literal or figurative) known already to us and, in so doing, to develop the unique qualities of a medium now entering a new golden age!”
Whicker’s World Foundation’s pre-existing awards are also opening entries for submissions today.
The Audio Recognition Award
This is moving to The Radio Festival. This is for a documentary, 15 minutes or over, broadcast or published online in the previous year. It was won this summer by Cathy Fitzgerald’s Little Volcanoes. The award is for £5,000 to the winner and £2,000 for the runner-up. The winners will be announced at next year’s Festival.
The Film and TV Funding Award
This is the primary focus of Whicker’s World Foundation. Each year £80,000 will be awarded to a new director with the most promising pitch for an authored documentary which fulfils the core criteria of the Foundation and can be completed for screening with this award. The money will be paid in instalments to the director’s film company, enabling a project which deserves to reach as wide an audience as possible. This year it was won by Alex Bescoby for Burma’s Lost Royals. The closing date for entries is 31st January 2017 and the shortlists will be announced in May 2016. The first winners will be announced by Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final night of the 2017 festival, 13th June 2017.
The Whicker’s World Sage Award
‘Retirement’ was not a word in Alan’s vocabulary. He was 83 when he wrote and presented Whicker’s War, a much acclaimed account of his army experiences in Italy for Channel 4. He made his last series for BBC Two, Journey of a Lifetime, in his late eighties. The Sage award will recognise a TV or audio professional who has come to air with an authored story for the first time, a prize of £5,000 will be awarded annually to an applicant aged 50 plus. Submissions of no more than 10 minutes; this can be for presentation but must be their own work. A runner-up will receive £2,000. Keith Earnest Hoult won this award for for Fluechtlinge – Refugee. Keith, a fan of Alan Whicker’s ‘gentle approach’ to interviewing, was inspired to create a ten-minute film about Syrians seeking refuge in a disused airport used for the Berlin Airlift. When he witnessed his friend’s wife Caroline trying to help refugees against a growing backlash he ‘felt the urge to film it if only for her family to reflect on later in life’. Keith learnt his film-making skills at the SAE Institute after redundancy and divorce turned his life upside-down. Judges were impressed that he made this entirely self-funded film as ‘a simple tale of ordinary people helping other ordinary people at their time of most desperate need.’
For further details on the awards and entry forms please go to
www.whickersworldfoundation.com
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Notes to editors:
For images, media information and interviews please contact:
Siobhan Connor at Connor PR siobhan@connorpr.com + 44 (0) 7966 177025
For Terms and Conditions and award Criteria please go to http://whickersworldfoundation.com/application-forms/
Join the conversation: facebook.com/whickersworldfoundation
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About Whicker’s World Foundation
On 7 June 2015 Whicker’s World Foundation, whose principle aim is to give a much needed fillip to authored documentary storytelling in the UK, launched three new documentary awards worth over £100,000 for the promotion of curiosity in programme making, generously funded by a legacy left by the celebrated broadcast journalist Alan Whicker. The launch took place in the Sheffield Winter Gardens led by Alex Graham, chair or Doc/Fest, Jane Ray, Artistic Director for the foundation and Kim Longinotto, multi award winning filmmaker. Entries for 2017 Awards opened on September 26th 2016 www.whickersworldfoundation.com
Radio Festival
Radio Festival is an annual event organised by Radio Academy, a registered charity dedicated to the encouragement, recognition and promotion of excellence in UK radio broadcasting and audio production. www.radioacademy.org
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ALAN WHICKER COLLECTION DONATED TO BFI NATIONAL ARCHIVE
ALAN WHICKER COLLECTION
DONATED TO BFI NATIONAL ARCHIVE
London – Thursday, 5th May 2016. The BFI National Archive is pleased to announce that it has received the archives of pioneering investigative TV journalist, Alan Whicker, donated by Valerie Kleeman, Whicker’s World Foundation. The collection contains meticulous records of one of the most enduring and influential careers in British television history, spanning the late 1950s into the 21st century.
This is an extensive and significant donation covering the entire career of a world-renowned broadcaster, and represents a unique insight into the production methods of a master documentarian. Alan Whicker’s name is a by-word for brilliantly crafted and revealing studies of people and places, whether exploring behind the scenes of the Miss World competition, interviewing Papa Doc in Haiti, or exposing the lifestyles of the hippies of San Francisco, with an enquiring mind and a sceptical tone. This unlikely figure, clad in Gucci tie and blazer, found his way into the nation’s hearts as he went where his audience was unlikely to follow.
The meticulously kept Alan Whicker archive spans the years 1938-2014. It includes a school report from 1938, documents relating to his war career and letters, photographs, extensive production files, audience reports, interview notes and questions (including Whicker’s hand-annotated question cards) and transcripts of every TV programme he made, along with some, as yet, unidentified films. The archive gives an insider’s view of some of the key events, social trends and personalities of the 20th century, while fully documenting the changing world of television reportage across more than five decades.
The material will be stored at the BFI National Archive’s paper store at Berkhamsted where it joins over 600 named collections from individuals such as producers Michael Balcon, David Puttnam and Betty Box, directors including David Lean, Joseph Losey, Michael Powell, Carol Reed, Mike Hodges, Muriel Box and Derek Jarman, writers such as Emeric Pressburger, Janet Green and Trevor Griffiths, and documentary filmmakers such as Humphrey Jennings, Derek Armstrong and Michael Orrom. Among the most recent additions to the collection are the archives of Ken Loach, Alan Parker, Jenny Beavan, Richard Lester, Karel Reisz, Jack Clayton and Halas & Batchelor. The Whicker papers will be able to be consulted by researchers and students of television history once cataloguing is fully completed.
Robin Baker, Head Curator, BFI National Archive said, “This is a major collection that gives us a unique insight into one of the great figures of 20th century television. Alan Whicker was a household name, famed for his daring and insightful investigations of people from all walks of life, from close to home and around the globe. His standards were meticulously high and his programmes set a benchmark for longform television documentary. The Alan Whicker collection is a very generous and important donation from Valerie Kleeman of the Whicker’s World Foundation, for which we are extremely grateful. We’re delighted that Whicker’s papers are now part of the national collection of film and television. “
Valerie Kleeman, Whicker’s partner in life and work for over 40 years and founder of the Whicker’s World Foundation said, “The Whicker’s World archive is now where it belongs – in the safekeeping of the BFI – where, I hope, its content will be of help and guidance to generations to come.
The 90 boxes, carefully curated by archivist Catherine Kirby, contain an intimate and personal take on the last half of the 20th century. Beginning with a letter informing him he has passed his School Certificate and continuing throughout his life in the Army Film and Photographic Unit, journalism and television, Alan Whicker observed both the light and the shadows of life.
Often he witnessed history in the making: war trials in Strasbourg, race riots in Alabama. He had access to the unaccessible: dictators, witch doctors, cults – and even the occasional royal. ‘Whicker’s World’ covered everything from bullfighting and the first gay weddings to the horrors of Papa Doc’s Haiti, always with intelligence, often with humour.
Whicker wrote and filmed what he saw, he had no preconceived ideas, no axe to grind. His motivation was to stimulate, to interest, to entertain…..and to allow viewers to come to their own conclusions.
The archive contains 60 years of carefully documented work: transcripts, notes, diaries and photographs, a lifetime of watching the world through thoughtful, quizzical eyes.”
Alan Whicker CBE (1921-2013) was a renowned journalist, broadcaster and television presenter. During the Second World War he joined the Army Film and Photo Unit, and by the 1950s he was working as a foreign correspondent for a Fleet Street agency, and then as a broadcaster for BBC Radio. In 1957 he was spotted by producer Alasdair Milne (later Director-General of the BBC) who gave him a regular ‘Whicker’s World’ slot on the ground breaking Tonight programme. This paved the way for the longer format Whicker’s World which began in 1965 and ran for 40 years on the BBC and ITV.
His reportage spanned the globe and covered a huge range of subjects which reflect all aspects of 20th century culture, politics and history. These include race relations, gay marriage, gun culture, bullfighting, haute couture and interviews with significant (and often controversial) figures of the 20th century, for example, Francois Duvalier (‘Papa Doc’), the notorious Haitian dictator, and oil billionaire John Paul Getty. At the height of his popularity Whicker’s programmes commanded audiences of 15 million people. Whicker’s work was also significant in terms of style and format, for example, he was an early pioneer of the ‘blue light’ programme, a format that is now well-established and perennially popular (shadowing police in their daily and nightly duties). Alan Whicker is a significant cultural figure and a household name for a whole generation. He won many awards during his career including the BAFTA Richard Dimbleby Award and the Screenwriters’ Guild Best Documentary Script (in 1963). His legacy lives on through the Whicker’s World Foundation which supports new documentary talent.
About the BFI
The BFI is the lead organisation for film in the UK with the ambition to create a flourishing film environment in which innovation, opportunity and creativity can thrive by:
- Connecting audiences to the widest choice of British and World cinema
- Preserving and restoring the most significant film collection in the world for today and future generations
- Championing emerging and world class film makers in the UK – investing in creative, distinctive and entertaining work
- Promoting British film and talent to the world
- Growing the next generation of film makers and audiences
The BFI is a Government arm’s-length body and distributor of Lottery funds for film. The BFI serves a public role which covers the cultural, creative and economic aspects of film in the UK. It delivers this role:
- As the UK-wide organisation for film, a charity core funded by Government
- By providing Lottery and Government funds for film across the UK
- By working with partners to advance the position of film in the UK.
Founded in 1933, the BFI is a registered charity governed by Royal Charter.
The BFI Board of Governors is chaired by Josh Berger.
About the BFI National Archive
The BFI National Archive was founded in 1935 and has grown to become the one of the largest and most important collections of film and television in the world with over 180,000 films and 750,000 television programmes. For over 80 years the BFI has been an international leader in film preservation and guardian of Britain’s unparalleled film and TV heritage. The BFI is an innovator in presenting films to audiences in new and dynamic ways, from cinemas to film festivals, outdoor events to online video-on-demand. At the heart of all its activities is the BFI’s central aim to ensure that everyone in the UK has access to the widest possible range of film and their own film heritage.
That heritage includes all time great British directors Alfred Hitchcock, David Lean and Powell and Pressburger; and the rich vein of documentary filmmaking, in which Britain led the world, including the lyrical work of Humphrey Jennings. The archive also boasts a significant collection of filmmakers’ papers as well as extensive stills, posters and production and costume designs along with original scripts, press books and related ephemera.
Expert teams undertake the time-consuming and complex task of restoring films at the BFI John Paul Getty Jr Conservation Centre in Hertfordshire. The BFI’s most precious film materials are kept in optimum conditions in the world-leading Master Film Store in Warwickshire.
Stills
A selection of stills for press use in connection with this story can be found at:
www.image.net/BFI/BFI National Archive/Whicker
Press contacts:
Brian Robinson, Communications Manager, Archive & Heritage, BFI
Email: brian.robinson@bfi.org.uk
Tel +44 (0) 207 957 8940
Mobile: 07740 171968
Judy Wells, Head of Press and PR , BFI
Email: judy.wells
Tel +44 (0) 207 957 8919
Mobile: 07984 180501
For press enquiries about Whicker’s World Foundation please contact:
Siobhan Connor CONNOR PR +44 (0)7966 177025 siobhan@connorpr.com
Whicker’s World Foundation launches new documentary awards at Sheffield Doc Fest
Whicker’s World Foundation launches new documentary
awards at Sheffield Doc Fest
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Three awards worth a total of £100,000
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Supporting authored storytelling in the UK
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First winners to be announced at Sheffield Doc/Fest 2016
Sunday 7th June at Sheffield Doc/Fest: the new Whicker’s World Foundation, whose principle aim is to give a much needed fillip to authored documentary storytelling in the UK, today launches three new documentary filmmaker awards worth a total of £100,000 for the promotion of curiosity in programme making, generously funded by a legacy left by the celebrated broadcast journalist Alan Whicker, who died in 2013. Details of the Whicker’s World Foundation and the awards will be announced by filmmaker Kim Longinotto at a special event at Doc/Fest, following the screening of Whicker’s World: Conflict in Kentucky.
Says Mark Atkin, Acting Festival Director, Sheffield Doc/Fest: “I am very enthused that this foundation aims to encourage authored documentary at a time when TV is becoming increasingly formatted and when most foundations have requirements to promote social issues. This is exactly what the industry needs right now”.
The three awards – the Funding Award (worth £80,000 / £10,000 runner up) to a debut filmmaker under 30 years of age; the Recognition Award (worth £4,000 / £1,000 runner up) to the finest industry newcomer aged 50 years of age or over; and the Best Audio Documentary (worth £4,000 / £1,000) to be awarded at the In The Dark audio festival, also part of Doc/Fest – will be looking for a spirit of inquisitiveness that will leave the viewer wanting more, and tell something new and unexpected about the world.
The panel of judges, chaired by Valerie Kleeman, photographer, programme consultant and Whicker’s partner for more than 40 years, will also be looking for projects that are playful with how the story is told, either breaking new ground, or taking a familiar path to come up with a new style.
The Alan Whicker Foundation consultant, top ranking international TV executive Jane Mote, says: “Whicker’s World opened my eyes to the most amazing stories, people and places. Alan’s unique style and sharp wit was inspirational and I am so excited to be part of creating a Foundation to nurture the future trailblazers for international documentary film-making”.
Jane Ray, the Consultant Artistic Director for the Foundation is a multi-award winning documentary maker and executive producer in radio and television with a journalistic background and nearly 28 years’ service at the BBC. Her awards range from the Sony Award for best news programme (2002) and the TRIC award for best children’s programme (1993) to China’s Golden Kapok award for best director (2014). She worked with Alan throughout the 90s on various projects for radio. She also wrote and directed Radio 4’s archive programme about Alan: Around the World in 80 Years, presented by Michael Palin.
The first award winners will be announced by the Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final day of the 2016 festival.
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For further information for Whicker’s World Foundation contact:
Siobhan Connor siobhan@connorpr.com
+ 44 (0) 7966 177025
For further information for Sheffield Doc/Fest contact:
Sarah Harvey Publicity
+44 (0) 207 232 2812
+44 (0) 7958 597426
Sarah Harvey sarah@sarahharveypublicity.co.uk
Nikki Cummins nikki@sarahharveypublicity.co.uk
Joe Bond joe@sarahharveypublicity.co.uk
Join the conversation:
facebook.com/whickersworldfoundation
https://twitter.com/whickersworld
About Doc/Fest:
Sheffield Doc/Fest is the UK’s premier documentary and digital media festival. It is the place to see world and UK premieres of the best creative documentaries from the cinema, television and online arenas, and to hear from and meet filmmakers at Q&A sessions. Highlights of the film programme are honoured with an award programme including the Sheffield Grand Jury, Innovation, Environmental, Interactive, Youth Jury, Inspiration, Student Doc, Short Form and Audience Awards. In 2014, 3,263 full festival pass holders attended the Festival and it attracted over 26,700 members of the film-loving public.
Sheffield Doc/Fest 2015 takes place from 5-10 June
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Film Producer Dean Woodford talks to the Mail online about living with a birthmark
Living with a birthmark
“My birthmark gives me something so many crave after, uniqueness“.
Dean Woodford, Film Producer
This inspirational story ran on the Mail online
A former Wiltshire College student has recently finished filming on his big screen debut with the legendary film director Martin Scorsese. Dean Woodford, 31, is a producer on the film called Tomorrow, which explores the difficult reintegration into normal society of battle-worn soldiers. Dean was born with a birthmark and is passionate about encouraging others with birthmarks to pursue their dreams, he is a supporter of the Birthmark Support Group.
Dean said: “Throughout my teens and adult life, I have been called names, stared at and even stabbed with a pencil because of my birthmark. Well these days I am embracing it. My birthmark gives me something so many crave after, uniqueness. You can get all the tattoos, haircuts and clothing you like, but you will never look as unique as myself and others that have one”.
Produced by London based production companies, Roaring Mouse Productions & Studio 82, Tomorrow marks Martin Scorsese’s first ever voyage into British feature film as he takes on an executive producer role. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long-‐time script supervisor. Pinson has directed an award winning short film and off-‐ Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet. She has also worked on Scorsese’s four most-‐recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M. Woodford, while Emma Tillinger Koskoff and Scorsese come on as Executive Producers.
Dean Woodford added: “I am now 31, working in the film industry as a producer, alongside the likes of Martin Scorsese, Stephen Fry and Joss Stone and have two more films coming up. It really doesn’t matter what you look like, just as long as you’re confident looking like you do, as believe me, self confidence shines a hell of a lot brighter than hair extensions and fake tan.”
Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), Sophie Kennedy-Clark (Nymphomaniac 1 & 2,) who has recently been nominated for a BAFTA for her role in Philomena. James Cosmo, (Braveheart, Games of Thrones), Paul Kaye (Blackball, Game of Thrones) Joss Stone (The Tudors) Ricki Hall and Will Tudor (Game of Thrones) round out the cast of Tomorrow.
Dean is currently working on a graphic Novel, due for release next year.
Looking for film PR agencies and PR companies? Connor PR provide expert film and entertainment public relations for all your UK film PR needs.
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Dean Woodford is available for interview
Join in the conversation @tomorrowfilmuk and www.facebook.com/tomorrowukfilm
For more information or images please contact:
Siobhan Connor at Siobhan@connorpr.com or call 07966 177025
Tomorrow, presented by Martin Scorsese Working with Spanish Production company Rodaje a la Carta
Landmark British feature film, Tomorrow presented by Martin Scorsese has teamed up with Spanish production company Rodaje a la Carta headed up by by Ismael Issa. The hotly anticipated film, which began production in London in September has moved location to a town called Cox, in Alicante, which is located at the foot of the Sierra de Callosa mountain range in Spain. Photography will focus on war scenes featuring Sebastian Street’s character.
Produced by London based production companies, Roaring Mouse Productions & Studio 82, Tomorrow marks Martin Scorsese’s first ever voyage into British feature film as he takes on an executive producer role. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long-‐time script supervisor. Pinson has directed an award winning short film and off-‐ Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet. She has also worked on Scorsese’s four most-‐recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M. Woodford, while Emma Tillinger Koskoff and Scorsese come on as Executive Producers.
Tomorrow is a moving and inspirational feature film, which candidly explores the difficulty and loneliness soldiers encounter as they try to reintegrate back into society having served for their country; moving on from losses and injuries to forge a life, find sustaining work and experience love. The film is a very personal journey for both writers and boldly explores several hard-‐ hitting yet underexposed issues such as post‐traumatic stress disorder, as well as HIV and AIDS.
Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), Sophie Kennedy-Clark (Nymphomaniac 1 & 2,) who has recently been nominated for a BAFTA for her role in Philomena. James Cosmo, (Braveheart, Games of Thrones), Paul Kaye (Blackball, Game of Thrones) Joss Stone (The Tudors) Ricki Hall and Will Tudor (Game of Thrones) round out the cast of Tomorrow.
The first footage of Tomorrow is currently being screened at The American Film Market (AFM) by Carnaby Sales & Distribution. Capitalising on the strength of Scorsese enthusiasts around the globe, Carnaby’s focus will be on securing distribution in the key major territories whilst working alongside WME on domestic. Pre-sales interest has already been particularly strong, with buyers recognising the film’s appeal for both domestic and international audiences.
Carnaby holds worldwide rights for the film, excluding the USA, which is being handled by William Morris Endeavor (WME). Tomorrow is part of a three-picture deal, which was secured by Carnaby’s joint CEO, Sean O’Kelly, together with Roaring Mouse Productions’ Sebastian Street, Stuart Brennan, and Dean Woodford. Carnaby plan to premiere the film at Cannes Film Festival in 2015.
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Join in the conversation @tomorrowfilmuk and www.facebook.com/tomorrowukfilm
For more information or images please contact:
Siobhan Connor at Siobhan@connorpr.com or call 07966 177025
James Cosmo Joins the Cast of Tomorrow, presented by Martin Scorsese
James Cosmo Joins the Cast
of Tomorrow, presented by Martin Scorsese
James Cosmo (Braveheart, Games of Thrones), Ricki Hall and Will Tudor (Game of Thrones) are the latest cast additions to landmark British feature film, Tomorrow, presented by Martin Scorsese.
Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), Sophie Kennedy-Clark (Nymphomaniac 1 & 2, Philomena) Paul Kaye (Blackball, Game of Thrones) and Joss Stone (The Tudors) round out the cast of Tomorrow.
Produced by London based production companies, Roaring Mouse Productions & Studio 82, Tomorrow marks Martin Scorsese’s first ever voyage into British feature film as he takes on an executive producer role. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long-‐time script supervisor. Pinson has directed an award winning short film and off-‐ Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet. She has also worked on Scorsese’s four most-‐recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M. Woodford, while Emma Tillinger Koskoff and Scorsese come on as Executive Producers.
Martin Scorsese said: “I’m honoured to join Martha in her directorial debut. Through her vision, the great cast, and dedicated team, this story will resonate for years to come.”
With a BAFTA Award winning cast , Tomorrow has begun principal photography for six weeks across London locations to include Battersea, Borough and Shoreditch, as well as Tedworth House in Wiltshire, the Help for Heroes run Recovery Centre for Servicemen and women and Spain in October.
Tomorrow is a moving and inspirational feature film, which candidly explores the difficulty and loneliness soldiers encounter as they try to reintegrate back into society having served for their country; moving on from losses and injuries to forge a life, find sustaining work and experience love. The film is a very personal journey for both writers and boldly explores several hard-‐ hitting yet underexposed issues such as post-‐traumatic stress disorder, as well as HIV and AIDS.
The subject matter of the film is both topical and timely, with the end of the UK combat mission in Afghanistan due to take place by the end of the year when British troops will be withdrawn after 13 years of intense fighting, which has claimed 453 British lives and has left as many as 74,991 British men and women in need physical or psychological support in the future. The project is supporting the charity ‘Help for Heroes’ and in particular backing their recent campaign encouraging people to become ‘friends’ of the charity by regularly donating. This campaign will help to ensure that Help for Heroes can support Servicemen, women and Veterans with serious issues, such as those raised in the film, for years to come.
Help for Heroes Director of Recovery, David Richmond said: “We are so pleased that ‘Tomorrow’ is tackling some of the very real issues that impact upon our Servicemen, women and Veterans. As we withdraw from Afghanistan, it is especially important that we don’t forget the long term effects that conflict can have on the people who put themselves on the line for our country – the physical and psychological scars are rarely easy or quick to heal.”
Martha Pinson said: “ Tomorrow is a great script. The dialogue is brilliant and believable; the reversals and surprises are well placed and powerful. The characters and situations are vividly drawn. It explores the difficulty of moving on from loses and injuries, to forge a life, to find sustaining work, and experience love. This is an acute challenge for a person in their mid-‐late 20’s, which has not been extensively explored. For an injured veteran or someone who is HIV positive it is colossal.”
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For more information or images please contact:
Siobhan Connor at Siobhan@connorpr.com or call 07966 177025 Hayley Hamburg at Hayley@connorpr.com or call 07799 714727
Join in the conversation @Tomorrowfilmuk
https://www.facebook.com/tomorrowukfilm
ABOUT HELP FOR HEROES
Help for Heroes offers comprehensive support to those who have suffered life-changing injuries and illnesses while serving our country. This support is provided through grants direct to our Heroes and their families, grants to other charities and through four Help for Heroes Recovery Centres across the UK. A study in September 2014 by Help for Heroes and the Royal College of Psychiatrists found that 75,000 men and women may need long term support following our involvement in the recent conflicts in Iraq and Afghanistan.
Anyone can become a Friend of Help for Heroes by visiting: www.helpforheroes.org.uk/donate. Or they can text HERO to 70111 to regularly donate £3 or text HERO to 70755 to regularly donate £5. Once someone has signed up they will receive an exclusive Friends pack, which includes a brand new wristband, a car sticker and a welcome letter from one of our amazing Band of Brothers.
For more information on Help for Heroes please contact Kate Hodgins at kate.hodgins@helpforheroes.org.uk or call 07807298613
Connor PR expert in film PR, Martin Scorsese, Connor PR promoting Tomorrow, presented by Martin Scorsese, Connor PR expert in Unit PR
Connor PR working on Martin Scorsese’s film Tomorrow with Stephen Fry, Joss Stone
PRODUCTION COMMENCES ON BRITISH FEATURE FILM “TOMORROW”
Martin Scorsese and Sebastian Street
Martin Scorsese’s voyage into British feature film gets underway
Cast to include: Stephen Fry, Stephanie Leonidas, Joss Stone, Paul Kaye, Sebastian Street, Stuart Brennan and Sophie Kennedy-Clarke
LONDON, 22 SEPTEMBER 2014: Landmark British feature film, Tomorrow, presented by Martin Scorsese, will commence production from today in London with confirmed cast to include: Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), Sophie Kennedy-‐Clark (Nymphomaniac 1 & 2, Philomena) Paul Kaye (Blackball, Game of Thrones) and Joss Stone (The Tudors).
Produced by London based production companies, Roaring Mouse Productions & Studio 82, Tomorrow marks Martin Scorsese’s first ever voyage into British feature film as he takes on an executive producer role. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long-‐time script supervisor. Pinson has directed an award winning short film and off-‐ Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet. She has also worked on Scorsese’s four most-‐recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M. Woodford, while Emma Tillinger Koskoff and Scorsese come on as Executive Producers.
Martin Scorsese said:“I’m honoured to join Martha in her directorial debut. Through her vision, the great cast, and dedicated team, this story will resonate for years to come.”
With a BAFTA Award winning cast already confirmed, Tomorrow has begun principal photography for six weeks across London locations to include Battersea, Borough and Shoreditch, as well as Tedworth House in Wiltshire, home for recovering soldiers, and Spain in October.
Tomorrow is a moving and inspirational feature film, which candidly explores the difficulty and loneliness soldiers encounter as they try to reintegrate back into society having served for their country; moving on from losses and injuries to forge a life, find sustaining work and experience love. The film is a very personal journey for both writers and boldly explores several hard-‐ hitting yet underexposed issues such as post-‐traumatic stress disorder, as well as HIV and AIDS.
Martha Pinson said: ““Tomorrow” is a great script. The dialogue is brilliant and believable; the reversals and surprises are well placed and powerful. The characters and situations are vividly drawn. It explores the difficulty of moving on from loses and injuries, to forge a life, to find sustaining work, and experience love. This is an acute challenge for a person in their mid-‐late 20’s, which has not been extensively explored. For an injured veteran or someone who is HIV positive it is colossal.”
The subject matter of the film is both topical and timely, with the end of the UK combat mission in Afghanistan due to take place in December 2014 when British troops will be withdrawn after 13 years of intense fighting, which has claimed 453 British lives alone. The project is working with charity ‘Help for Heroes’ to collaborate in building a national awareness campaign for the film and the serious issues it deals with.
-‐ENDS-‐ For more information or images please contact:
Join in the conversation @Tomorrowfilmuk
Connor PR specialist in film PR, Connor PR promoting Tomorrow presented by Martin Scorsese, Connor PR specialist in TV and Film PR
Connor PR secures front cover of Independent on Sunday
Connor PR secures front cover of Independent on Sunday for Seeds of Hope
Expose of sexual violence in conflict
Connor PR working wtih Studio 9 Films for the UK Premiere of Seeds of Hope to be screened at the Global Summit to End Sexual Violence in Conflict
UK PREMIERE of Seeds of Hope
to be screened at the Global Summit to End Sexual Violence in Conflict
Studio 9 Films
- Award-winning filmmaker Fiona Lloyd-Davies takes us to ‘the most dangerous place in the world for women’ – the eastern Democratic Republic of Congo – in her film Seeds of Hope at the Summit Fringe on 10 June 2014.
- Seeds of Hope tells the extraordinary story of Masika and her journey to help women and children who have experienced sexual violence in conflict in eastern Congo.
- The Foreign Secretary Rt Hon William Hague and Angelina Jolie, UNHCR Special Envoy, will co-chair the Global Summit to End Sexual Violence in Conflict on 10–13 June 2014 at ExCel London.
- The summit calls for an end to sexual violence in conflict – an act that destroys lives and damages communities.
- It will be the largest gathering ever brought together on this subject.
Starting 9.00am on 10 June 2014, there will be three days of global action aimed at creating awareness of sexual violence in conflict. One voice that will be added to the call for an end to sexual violence in conflict is Masika Katsuva’s.
The 84 hours of action is the largest meeting ever held on ending sexual violence in conflict. The Global Summit to End Sexual Violence in Conflict (ESVC), co-chaired by Foreign Secretary William Hague and Angelina Jolie , Special Envoy for the United Nations High Commissioner for Refugees, will bring together government delegations, NGOs, experts and sexual and gender-based violence survivors from over 145 countries.
Studio 9 Films will show Seeds of Hope at the Summit Fringe on 10 June 2014. Seeds of Hope tells the extraordinary story of Masika and her journey to help women and children who have experienced sexual violence in conflict in eastern Congo. Masika, herself a multiple rape survivor, has helped thousands of women and children in eastern Congo who have suffered physical and sexual violence.
Every hour, 48 women are raped in Congo (DR). Eastern Congo was described as the ‘rape capital of the world’ by Margot Wolstrom, the United Nations Special Representative for Sexual Violence in Conflict in 2011. A new generation of children, born from rape in the DRC are growing up in a country where violence is a regular occurrence. It’s become a place where there is widespread acceptance of rape and brutality towards women. “Whenever there is fighting, militia use rape as a weapon of war”, Masika says.
Filmmaker Fiona Lloyd-Davies also interviews perpetrators of rape, among them soldiers from the Congolese army. Groundbreaking interviews are captured with the soldiers whose duty it is to protect the women they are brutally violating. These men give extraordinarily open testimony as to why they rape and their attitudes towards their horrific acts. As one soldier candidly reveals, “Raping gives us a lot of pleasure. When we rape we feel free.” This calls into question the crucial issue of justice and as one of the women, Nzgira, poignantly says, “If justice is done maybe this will stop the soldiers. It’s just they aren’t afraid of anything.”
The aim of the summit is to facilitate dialogue between governments, NGOs, experts and survivors that outline solutions to sexual violence in conflict and develop international co-ordination. For Masika, to stop sexual violence means the conflict must be brought to an end. “If the fighting were to end in the hills, it would mean an end to rape which we want to stop forever.”
Filmed over three years and capturing the ebb and flow of the seasons, we see how the process of farming this small patch of land empowers and transforms these women.The field is their hope, their therapy and their source of food and income. The rape victims and hundreds of children born from rape sow lines of seed every quarter (three months). Together they nurture them, pray for good weather and eventually harvest them to eat, sell and plant again to generate more crops.
The field becomes a central feature, almost a character, both in its symbolic value and as a signifier of time passing. The process of renewal and rebirth that nature provides offers up hope anda restored focus to the women. As one of the women, Mongera, remarks, “When we meet as a group, for a moment, it helps us forget what we’ve been through.”The women build new friendships, helping them come to terms with their pasts and look to make plans for the future.
The extraordinary natural beauty of Congo is juxtaposed against the horrific experiences that these women have endured and the threat of sexual violence that remains, lurking in such landscapes.
Since the filming of Seeds of Hope, 39 soldiers have stood trial for the crimes that took place in Minova in November 2012. Only two were convicted of rape as a war crime. Fiona Lloyd-Davies has produced a documentary on both the aftermath of the rapes in 2012 and the trial that will be broadcast on BBC Newsnight on Monday 9 June 2014.
While the seeds show that there is a way forward and a glimmer of hope, its clear that there’s little justice for these women at present. Masika believes that until there is peace in DRC there will be rape: “Whenever there is fighting there is rape.” Despite the recent Minova trial, prosecutions are rare and impunity still prevails. The battle against an endemic rape culture is far from over.
Senator Mobina Jaffer said: “Seeds of Hope conveys unimaginable pain, but also the hope and strength of the women in the Democratic Republic of the Congo. It further portrays a British filmmaker, Fiona, reaching out to portray the pain of her Congolese sister, Masika.”
This film takes us deep into the lives of women and children who are rarely given a voice and rarely seen on screen. Seeds of Hope shows how one woman’s enterprise helps thousands of Congo’s rape survivors find healing and independence through farming. As one of the women explains, “we are always very happy when we have our seeds, because seeds are our hope”.
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Notes to Editors:
To attend the screening of Seeds of Hope and reception please contact Siobhan at Connor PR. There will be a Q&A after the screening, moderated by Anneke Van Woudenberg, Human Rights Watch, Senior Researcher Africa Division.
Fiona Lloyd-Davies is available for interview.
Please contact Siobhan at Connor PR siobhan@connorpr.com Tel: 07966 177025
What: Screening of Seeds of Hope at the Summit Fringe followed by a Q&A.
When: 10 June 2014 at 6.30pm.
Where: ExCel Centre, Docklands, London.
Facebook page: https://www.facebook.com/seedsofhopestudio9films?fref=ts
Twitter handle:@Studio9films #seedsofhope
Photography
Images are available on request.
http://www.studio9films.co.uk/photography.html
http://instagram.com/seedsofhopefilm
Previewers
To watch the film please click on the following link
password: seedsofhopescreener
A short preview can be viewed on: http://www.studio9films.co.uk/films_new.html
Film synopsis
Seeds of Hope documents the extraordinary story of Masika Katsuva, who, with just a small patch of land, commitment and passion, has helped thousands of women and children who have suffered physical and sexual violence come to terms with the nightmares they have lived through.
Every hour, 48 women are raped in Congo. Eastern Congo has been called the ‘rape capital of the world’ by the UN Special Representative for Sexual Violence in Conflict. This is the most dangerous place in the world for women.
The women and children farm the land together, providing them with an income, a sense of stability and a form of therapy. Through donations, Masika and her team have expanded the centre, but the battle against an endemic rape culture is far from over. Since launching the project, Masika has been raped three more times.
The film also reveals the motivations of some of the perpetrators. They are not just foreign militia groups, but are members of the Congolese National Army. These are the soldiers whose duty it is to protect the women they are now brutally violating.
Filmed over three years, Seeds of Hope takes us deep into the lives of women and children rarely seen, offering up a vision of transformation through one woman’s mission to bring healing to women traumatised by rape and in turn, stability to their children born as a result.
Links relating to Seeds of Hope
https://www.gov.uk/government/topical-events/sexual-violence-in-conflict
TEDX
http://www.youtube.com/watch?v=dmSzkMIRLS8
Film Festivals
St Louis International Film Festival November 2014
http://www.cinemastlouis.org/seeds-hope
Africa World Documentary Film Festival
http://www.africaworldfilmfestival.com
Selected for International Festival “A Film for Peace”
http://www.unfilmperlapace.it/admitted2014.html
Studio 9 Films
Studio 9 Films Ltd is a company led by award-winning producer/director/self shooter and photojournalist Fiona Lloyd-Davies. They have produced films for BBC, Al Jazeera, Human Rights Watch and REDRESS. Studio 9 Films’ production, “Justice in Action”, chronicling six young woman’s journey to Bosnia 20 years after the war won the Best Documentary International at the People’s Film Festival in 2013. The film “Seeds of Hope”, which tells the extraordinary story of Masika Katsuva, a multiple rape survivor who has helped thousands of women and children in war-torn eastern Congo premiered at the Pulitzer Center Film Festival “Global Crises, Human Stories” and was officially selected for the St Louis International Film Festival 2013.
Biography of Fiona Lloyd-Davies
Award winning filmmaker and photojournalist, Fiona Lloyd-Davies is one of the UK’s most experienced foreign documentary and current affairs journalists. She’s been making films and taking pictures about human rights issues in areas of conflict since 1992, working in Bosnia, Iraq, Pakistan, the Democratic Republic of Congo and many other locations. Her film about Honour Killing in Pakistan, License to Kill for BBC2, brought a change in the law in Pakistan and was awarded a Royal Television Society award for Best International Journalism. She has also won a Royal Television Society award for Innovation for her work with Salam Pax on the Baghdad Blogger.
Justice in Action, Fiona’s film chronicling the journey of six young women exploring the path to peace and reconciliation in Bosnia won the Best Documentary International at the People’s Film Festival. Her work combines journalism with a strong visual style that she learnt as a graduate of the Royal College of Art. She is also a widely published and exhibited photojournalist in UK broadsheets and magazines such as the Guardian, The Observer magazine and the Herald. She films and edits much of her work herself, using the latest technology.
Fiona’s most recent work centres on sexual violence in the Democratic Republic of Congo. She has gained unprecedented access to the soldiers implicated in the rapes in Minova on November 20, 2012. Ordered to Rape investigates the mass rapes and subsequent trial and will be shown on BBC Newsnight on June 9, 2014. Her film Seeds of Hope tells the extraordinary story of Masika Katsuva, a multiple rape survivor, who has helped over thousands of women and children will be shown at the Summit Fringe of the Global Summit to End Sexual Violence in Conflict on June 10, 2014.
Fiona’s other Congo work
“Congo and the General” TX February 2014 Al Jazeera English
The first ever aggressive, intervention brigade of 3,000 men has been deployed to one of the world’s most complicated and volatile regions, Eastern Congo. It’s being led by a new force Commander, the Brazilian General, Carlos Alberto Dos Santos Cruz. He has one of the most difficult and dangerous jobs in the world. To prove that the UN can finally fulfill it’s mandate to protect civilians and win against rebel forces and militia men who, until now, have out manoeuvred the largest and most expensive peacekeeping operation in the world.
http://www.aljazeera.com/programmes/peopleandpower/2014/01/congo-general-2014131116336818.html
“Congo’s Tin Idea” TX May 2013 Al Jazeera English
Control of Eastern Congo’s minerals has been a key driver in the savage fighting that’s killed over five million people. A new project may have the answer – to produce conflict free tin from a mine.
http://www.aljazeera.com/programmes/peopleandpower/2013/05/201
Connor PR working with Studio 9 Films, Connor PR working with Film Maker Fiona Lloyd-Davies, Connor PR and the premiere of Seeds of Hope, Connor PR working on the Global Summit to End Sexual Violence in Conflict with Angelina Jolie and William Hague