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WORLD PREMIERE OF INTERLUDE IN PRAGUE

        CARNABY INTERNATIONAL     

PRESENTS

INTERLUDE IN PRAGUE

A Brian Ashby film, directed by John Stephenson OBE

Starring James Purefoy, Aneurin Barnard, Samantha Barks, Morfydd Clark, Adrian Edmundson & Dervla Kirwan

The making of a masterpiece: A tale of love, lust and murder

 

Directed by John Stephenson OBE with final screenplay by       Brian Ashby, Helen Clare Cromarty and John Stephenson O.B.E.

 

INTERLUDE IN PRAGUE

From the makers of “Sense and Sensibility” and “Gosford Park”

This summer, prepare for a solar-plexus knockout as Carnaby International presents astonishing Mozart drama and British feature, Interlude in Prague, arriving in cinemas nationwide from 25th May 2017 and on DVD and Digital HD from 29th May 2017.

From the makers of Sense and Sensibility and Gosford Park, the powerful and eagerly anticipated feature is an intense and emotional narrative of love, lust and murder. Based on true life events, it follows the story of a few turbulent months in the short life of Wolfgang Amadeus Mozart that influenced the creation of the undisputed operatic masterpiece, Don Giovanni. A love story and a tragedy of epic proportions, the film sees Mozart in a Shakespeare in Love style drama with a Dangerous Liaisons tragic end. The dates and locations are real but the plot is fictitious.

 

Shot and set against the beauty and splendour of the Bohemian capital, exactly where the story takes place and where Mozart himself walked the streets over 226 years ago, Interlude in Prague stars James Purefoy (Solomon Kane, John Carter, Ironclad), Aneurin Barnard (Dunkirk, War & Peace, The White Queen), Les Miserables’ Samantha Barks and Morfydd Clark (Love & Friendship, Les Liaisons Dangereuse, The Falling) alongside Ade Edmondson (Ade in Britain, Guest House Paradiso, Bottom) and Dervla Kirwan (Ondine, Entity).

The storyline follows a brief interlude in the composer’s colourful life during one of his several visits to Prague. Tired of demonstrating his talents to a privileged elite, Mozart, played by Aneurin Barnard, is brought to the Bohemian city by Baron Saloka (James Purefoy), a vain and self-obsessed aristocrat, apparently above the law who lives a privileged life. On his arrival, Mozart is happy to have found the one place on earth where he feels his talent is most appreciated and sets about creating a new opera at the Nostitz Theatre. However Mozart’s unconventional presence in Prague soon unleashes a series of dramatic and tragic events. Zuzanna Lubtak, a young and beautiful soprano played by Morfydd Clark, is to be betrothed to Saloka but falls in love with Mozart and they have a passionate encounter. Saloka, a narcissist and sexual-predator, develops an overwhelming fury that results in brutality and murder. In a tangled web of passion and violence, the drama is captured by the magnificent and enchanting music of Mozart’s Don Giovanni.

 

Directed by John Stephenson OBE (Animal Farm, Five Children and It, The Christmas Candle) with final screenplay by Brian Ashby, Helen Clare Cromarty and John Stephenson OBE, Interlude In Prague is produced by Productive International’s Huw Penallt Jones (Damascus Cover, The Man Who Knew Infinity, The Edge of Love, Cold Mountain, Chaos) along with Hannah Leader (Damascus Cover, Lucky Number Slevin, Before the Devil Knows You’re Dead) and Brian Ashby with cinematography by Michael Brewster (The Christmas Candle, Five Children and It, Animal Farm) and production design by Oscar winning Luciana Arrighi (Only You, The Man Who Knew Infinity, Jakob The Liar). Hybrid’s Charlotte and Mike Truman, on board as composers and music producers, have collaborated with Artistic Director & Principal Conductor of the Prague Conservatory Symphony Orchestra, Maestro Miriam Němcová, whose work includes internationally revered recording of Mozart’s Requiem, to produce a captivating original music score inspired by Mozart’s work.

 

Interlude in Prague was adapted from screenwriter, Brian Ashby’s, original factional script about Mozart’s visit to Prague to conduct the Marriage of Figaro at the Nostitz Theatre. Working together with Helen Clare Cromarty and John Stephenson OBE, Ashby then adapted this into a screenplay for a full feature film. Ashby is currently penning a novel for Interlude in Prague, based on the screenplay.

Director, John Stephenson OBE, said: “When I first read the script for Interlude in Prague, I was immediately captivated. At its core it is a love story and a tragedy of epic proportions and the characters, the passions, the heartbreak and catastrophic outcome could just as easily exist in a contemporary story. We shot this entirely in Prague, a city unaffected by time, across spectacular locations steeped in history and cultural significance. We used a fast moving camera and cutting edge post-production techniques to capture the energy and atmosphere of a modern thriller. The result, I believe, is a glorious heart-in-mouth thriller which we hope will strike a chord with audiences around the world.”

Creator, Brian Ashby added: “Having written three books I decided the next one should be a screenplay about Mozart’s intriguing life and glorious composition.  I began writing it way back in 1999 but because of my naivety about the film industry I made little progress in promoting it until I contacted a fellow Member of Mensa, Helen Claire Cromarty, who introduced me to a Director, John Stephenson.  That was some three and a half years ago and, from that meeting, the film has flourished with a red carpet world premiere set to take place in London’s Leicester Square. I knew it was going to be a steep learning curve.  I did not realise it was going to be vertical!  I hope the public thinks it is worthwhile.”

Interlude in Prague will be released in the UK by London-based Carnaby International, who is also handling worldwide rights for the film. A share of the film’s profits will be donated to two charities including Marie Curie1 and Foundation Derbyshire2.

 

ENDS-­

Join in the conversation on Twitter: @interludeprague or on Facebook: facebook.com/interludeinprague

 

About Carnaby International                                                                                                                                                                         Carnaby International Sales and Distribution PLC is an all rights UK distributor and International Sales agent, whilst also offering co-production and financing. Carnaby International PLC was established in 2001 and is dubbed an ‘Indie Giant’.  The company was originally set up with the specific purpose of financing and producing British feature films with 14 feature films and over 800 hours of TV programming – which has sold extensively worldwide – to its credit.  The company’s Finance and Production Division is based in Essex and headed by Terry and Michael Loveday, whilst Co-production, Sales and Distribution is based in London’s Soho and run by Sean O’Kelly and Andrew Loveday.  The company has raised over $80M in the last 7 years and is continuously looking for commercial projects with strong talent.

Marie Curie – care and support through terminal illness                                                                                                                                 Marie Curie is the UK’s leading charity for people with any terminal illness. The charity helps people living with a terminal illness and their families make the most of the time they have together by delivering expert hands-on care, emotional support, research and guidance. Marie Curie employs more than 2,700 nurses, doctors and other healthcare professionals, and with its nine hospices around the UK, is the largest provider of hospice beds outside the NHS. For more information visit www.mariecurie.org.uk
About Foundation Derbyshire                                                                                                                                                       Foundation Derbyshire is improving the quality of life for people in Derbyshire by investing and distributing funds, on behalf of a wide range of donors, to local voluntary organisations, charities and projects.

 

TAGLINE

The making of a masterpiece: A tale of love, lust and murder

 

SHORT SYNOPSIS

Interlude in Prague is a story of love, lust, and murder based on true events that inspired Mozart’s operatic masterpiece Don Giovani.

 

LONG SYNOPSIS

From the makers of Sense and Sensibility and Gosford Park, the powerful and eagerly anticipated feature is an intense and emotional narrative of love, lust and murder. Based on true life events, it follows the story of a few turbulent months in the short life of Wolfgang Amadeus Mozart that influenced the creation of the undisputed operatic masterpiece, Don Giovanni. A love story and a tragedy of epic proportions, the film sees Mozart in a Shakespeare in Love style drama with a Dangerous Liaisons tragic end. The dates and locations are real but the plot is fictitious.

The storyline follows a brief interlude in the composer’s colourful life during one of his several visits to Prague. Tired of demonstrating his talents to a privileged elite, Mozart, played by Aneurin Barnard, is brought to the Bohemian city by Baron Saloka (James Purefoy), a vain and self-obsessed aristocrat, apparently above the law who lives a privileged life. On his arrival, Mozart is happy to have found the one place on earth where he feels his talent is most appreciated and sets about creating a new opera at the Nostitz Theatre. However Mozart’s unconventional presence in Prague soon unleashes a series of dramatic and tragic events. Zuzanna Lubtak, a young and beautiful soprano played by Morfydd Clark, is to be betrothed to Saloka but falls in love with Mozart and they have a passionate encounter. Saloka, a narcissist and sexual-predator, develops an overwhelming fury that results in brutality and murder. In a tangled web of passion and violence, the drama is captured by the magnificent and enchanting music of Mozart’s Don Giovanni.

CAST AND CREW

Baron Saloka

Wolfgang Amadeus Mozart

Josefa Duchek

Zuzanna Lubtak

Herr Lubtak

Frau Lubtak

Constanza

Barbarina

Ferdinand

Fraulein Ribber

Marek Novak

Hana

Henry Novy

Johann Bohac

Jakub

Laporel Bloch

Hans

Maria

Wanda

Herr Burgen

 

 

Directed By

 

Screenplay By

 

 

Producers

 

 

Co-Producers

 

 

Line Producer

 

Associate Producer

 

Executive Producers

 

 

 

 

 

Director of Photography

 

Production Designer

 

Editors

 

Casting

 

Costume Designer

 

Hair and Make Up

 

Music composers

JAMES PUREFOY

ANEURIN BARNARD

SAMANTHA BARKS

MORFYDD CLARK

ADRIAN EDMONSON

DERVLA KIRWAN

CHARLOTTE PETERS

RUBY BENTALL

TRENT GARRETT

KLARA ISSOVA

NICKOLAS GRACE

ANNA RUST

EDMUND KINGLSEY

KRYSTOF HADEK

RAYMOND THIRY

IAN BONAR

JIRI MADL

ALENA DOLAKOVA

CLAUDIA VASEKOVA

ROSS WILLIAM WILD

 

 

JOHN STEPHENSON OBE

 

BRIAN ASHBY, HELEN CLARE CROMARTY & JOHN STEPHENSON OBE

 

HUW PENALLT JONES & HANNAH LEADER

 

DAVID MINKOWSKI

MATTHEW STILLMAN

 

SIMON MOSELEY

 

TOM HARBERD

 

HELEN CLARE CROMARTY

PHIL HUNT

SEAN O’KELLY

ANDREW LOVEDAY

COMPTON ROSS

 

MICHAEL BREWSTER

 

LUCIANA ARRIGHHI

 

EMMA E. HICKOX, A.C.E

DAVIDE FREEMAN

JOHN & ROS HUBBARD

 

PAM DOWNE

 

KATIE PICKLES

 

MIKE & CHARLOTTE TRUMAN

DIRECTOR’S VISION

It is rare to come across a film script that offers as much dramatic possibility as Interlude in Prague. It is a love story and a tragedy of epic proportions.

Set in Prague during the year 1788, it tells the story of a few turbulent months that influenced the creation of an operatic masterpiece.

Tired of demonstrating his talents to a privileged elite, a frustrated and misunderstood Wolfgang Amadeus Mozart, is brought to Prague by Baron Saloka, a narcissistic, vain and self-obsessed aristocrat.

We will feel Mozart’s relief to have left the drawing rooms and parlours of Vienna behind and his happiness to be in a place where he feels his talent is fully appreciated.

Zuzanna Lubtak, a soprano beautiful, young and innocent, is betrothed to Saloka but falls in love with Mozart and they have a passionate encounter.

We will create a sumptuous world of Baroque theatre, where Saloka, who is a terrifying sexual predator, aroused by beauty, will become insanely jealous and develop an overwhelming hatred for Mozart. This results in callous brutality, rape and murder.

Mozart is a savant, ill-equipped to deal with the passion and violence which surrounds him. His whole being is affected by it and it becomes the creativity behind the astonishing music and drama of Don Giovanni.

In the finale we will see Mozart’s masterpiece mirroring the tragic events and the characters that took over his life in Prague, Saloka in particular being preserved forever as the anti-hero, Don Giovanni.

Shot entirely in Prague, a city unaffected by time, the film will combine all the beauty of eighteenth century bohemia with the glory of Mozart’s music. Yet the story centered around the sexual politics of 18C, the passions, the heartbreak and awful outcome could just as easily exist in a contemporary setting.

Fast moving camera, modern post-production techniques, shot and edited with the energy and atmosphere of a modern thriller it will result in a film which delivers passion, emotion and heart-in-mouth entertainment

John Stephenson OBE, Director, Interlude In Prague

 

 

 

 

Connor PR specialist in film PR, Connor PR red carpet event PR, Connor PR event PR, Connor PR specialist in film PR, Connor PR and theatrical PR

 

 

 

James Cosmo Joins the Cast of Tomorrow, presented by Martin Scorsese

James Cosmo Joins the Cast

of Tomorrow, presented by Martin Scorsese

James Cosmo (Braveheart, Games of Thrones), Ricki Hall and Will Tudor (Game of Thrones) are the latest cast additions to landmark British feature film, Tomorrow, presented by Martin Scorsese.

 

Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), Sophie Kennedy-­Clark (Nymphomaniac 1 & 2, Philomena) Paul Kaye (Blackball, Game of Thrones) and Joss Stone (The Tudors) round out the cast of Tomorrow.

 

Produced by London based production companies, Roaring Mouse Productions & Studio 82, Tomorrow marks Martin Scorsese’s first ever voyage into British feature film as he takes on an executive producer role. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long-­‐time script supervisor. Pinson has directed an award winning short film and off-­‐ Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet. She has also worked on Scorsese’s four most-­‐recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M. Woodford, while Emma Tillinger Koskoff and Scorsese come on as Executive Producers.

Martin Scorsese said: “I’m honoured to join Martha in her directorial debut. Through her vision, the great cast, and dedicated team, this story will resonate for years to come.”

 

With a BAFTA Award winning cast , Tomorrow has begun principal photography for six weeks across London locations to include Battersea, Borough and Shoreditch, as well as Tedworth House in Wiltshire, the Help for Heroes run Recovery Centre for Servicemen and women and Spain in October.

 

Tomorrow is a moving and inspirational feature film, which candidly explores the difficulty and loneliness soldiers encounter as they try to reintegrate back into society having served for their country; moving on from losses and injuries to forge a life, find sustaining work and experience love. The film is a very personal journey for both writers and boldly explores several hard-­‐ hitting yet underexposed issues such as post-­‐traumatic stress disorder, as well as HIV and AIDS.

 

The subject matter of the film is both topical and timely, with the end of the UK combat mission in Afghanistan due to take place by the end of the year when British troops will be withdrawn after 13 years of intense fighting, which has claimed 453 British lives and has left as many as 74,991 British men and women in need physical or psychological support in the future. The project is supporting the charity ‘Help for Heroes’ and in particular backing their recent campaign encouraging people to become ‘friends’ of the charity by regularly donating. This campaign will help to ensure that Help for Heroes can support Servicemen, women and Veterans with serious issues, such as those raised in the film, for years to come.

 

Help for Heroes Director of Recovery, David Richmond said: We are so pleased that ‘Tomorrow’ is tackling some of the very real issues that impact upon our Servicemen, women and Veterans. As we withdraw from Afghanistan, it is especially important that we don’t forget the long term effects that conflict can have on the people who put themselves on the line for our country – the physical and psychological scars are rarely easy or quick to heal.”

 

Martha Pinson said: “ Tomorrow is a great script. The dialogue is brilliant and believable; the reversals and surprises are well placed and powerful. The characters and situations are vividly drawn. It explores the difficulty of moving on from loses and injuries, to forge a life, to find sustaining work, and experience love. This is an acute challenge for a person in their mid-­‐late 20’s, which has not been extensively explored. For an injured veteran or someone who is HIV positive it is colossal.”

-­‐ENDS-­‐

 

For more information or images please contact:

Siobhan Connor at Siobhan@connorpr.com or call 07966 177025 Hayley Hamburg at Hayley@connorpr.com or call 07799 714727

Join in the conversation @Tomorrowfilmuk

https://www.facebook.com/tomorrowukfilm

 

ABOUT HELP FOR HEROES

Help for Heroes offers comprehensive support to those who have suffered life-changing injuries and illnesses while serving our country. This support is provided through grants direct to our Heroes and their families, grants to other charities and through four Help for Heroes Recovery Centres across the UK. A study in September 2014 by Help for Heroes and the Royal College of Psychiatrists found that 75,000 men and women may need long term support following our involvement in the recent conflicts in Iraq and Afghanistan.

 

Anyone can become a Friend of Help for Heroes by visiting: www.helpforheroes.org.uk/donate. Or they can text HERO to 70111 to regularly donate £3 or text HERO to 70755 to regularly donate £5. Once someone has signed up they will receive an exclusive Friends pack, which includes a brand new wristband, a car sticker and a welcome letter from one of our amazing Band of Brothers.

For more information on Help for Heroes please contact Kate Hodgins at kate.hodgins@helpforheroes.org.uk or call 07807298613

Connor PR expert in film PR, Martin Scorsese, Connor PR promoting Tomorrow, presented by Martin Scorsese, Connor PR expert in Unit PR

Connor PR working on Martin Scorsese’s film Tomorrow with Stephen Fry, Joss Stone

PRODUCTION COMMENCES ON BRITISH FEATURE FILM “TOMORROW”

Martin Scorsese and Sebastian Street

Martin Scorsese and Sebastian Street

Martin Scorsese’s voyage into British feature film gets underway

Cast to include: Stephen Fry, Stephanie Leonidas, Joss Stone, Paul Kaye, Sebastian Street, Stuart Brennan and Sophie Kennedy-Clarke

LONDON, 22 SEPTEMBER 2014: Landmark British feature film, Tomorrow, presented by Martin Scorsese, will commence production from today in London with confirmed cast to include: Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), Sophie Kennedy-­‐Clark (Nymphomaniac 1 & 2, Philomena) Paul Kaye (Blackball, Game of Thrones) and Joss Stone (The Tudors).

Produced by London based production companies, Roaring Mouse Productions & Studio 82, Tomorrow marks Martin Scorsese’s first ever voyage into British feature film as he takes on an executive producer role. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long-­‐time script supervisor. Pinson has directed an award winning short film and off-­‐ Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet. She has also worked on Scorsese’s four most-­‐recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M. Woodford, while Emma Tillinger Koskoff and Scorsese come on as Executive Producers.

Martin Scorsese said:“I’m honoured to join Martha in her directorial debut. Through her vision, the great cast, and dedicated team, this story will resonate for years to come.”

With a BAFTA Award winning cast already confirmed, Tomorrow has begun principal photography for six weeks across London locations to include Battersea, Borough and Shoreditch, as well as Tedworth House in Wiltshire, home for recovering soldiers, and Spain in October.

Tomorrow is a moving and inspirational feature film, which candidly explores the difficulty and loneliness soldiers encounter as they try to reintegrate back into society having served for their country; moving on from losses and injuries to forge a life, find sustaining work and experience love. The film is a very personal journey for both writers and boldly explores several hard-­‐ hitting yet underexposed issues such as post-­‐traumatic stress disorder, as well as HIV and AIDS.

Martha Pinson said: ““Tomorrow” is a great script. The dialogue is brilliant and believable; the reversals and surprises are well placed and powerful. The characters and situations are vividly drawn. It explores the difficulty of moving on from loses and injuries, to forge a life, to find sustaining work, and experience love. This is an acute challenge for a person in their mid-­‐late 20’s, which has not been extensively explored. For an injured veteran or someone who is HIV positive it is colossal.”

The subject matter of the film is both topical and timely, with the end of the UK combat mission in Afghanistan due to take place in December 2014 when British troops will be withdrawn after 13 years of intense fighting, which has claimed 453 British lives alone. The project is working with charity ‘Help for Heroes’ to collaborate in building a national awareness campaign for the film and the serious issues it deals with.

-­‐ENDS-­‐ For more information or images please contact:

Join in the conversation @Tomorrowfilmuk

Connor PR specialist in film PR, Connor PR promoting Tomorrow presented by Martin Scorsese, Connor PR specialist in TV and Film PR