Connor PR Siobhan Connor
Whicker’s World Foundation launches inspiring Funding Award at Radio Festival
Whicker’s World Foundation launches
inspiring Funding Award at Radio Festival
- Whicker’s World Foundation launches the Radio & Audio Funding Award (RAFA) at the Radio Festival, the annual celebration of all things audio at the British Library. The festival brings together a full media scope of leading figures from the UK’s audio industry.
- Supporting authored storytelling in the UK, taking us into new or hitherto unseen worlds, RAFA will help fund independent audio documentary makers.
- RAFA Awards are worth a total of £7,000.
- Submissions for this and existing Whicker’s World Foundation Awards 2017 are now being accepted.
Whicker’s World Foundation will today, at the UK’s popular Radio Festival hosted by broadcaster Paddy O’Connell launch a brand-new funding award – the RAFA – to help aspiring independent audio documentary makers. The awards were created to celebrate and encourage excellence in audio documentaries, and have been generously funded by a legacy left by the celebrated journalist Alan Whicker who died in 2013. Whicker wanted to encourage curiosity, stimulate the senses and empower talent which might otherwise never find a place in today’s highly-competitive industry.
The Whicker’s World Foundation, launched in 2015, has already awarded over £100,000.The award prizes consist of £5,000 for the winner and a runner-up prize of £2,000. The winning pitches will offer new and exciting ideas for audio documentaries, meeting Whicker’s World Foundation criteria of: taking us into a new or hitherto unseen worlds; being personal but not partisan; and with an emphasis on strong original storytelling and development of the medium. Applicants need to supply up to six minutes worth of audio in support of their proposals.Deadline for entries is 23rd December 2016, there is no application fee and candidates can apply online. The best five will be invited to pitch at an event in March 2017 and the winners will be announced at next year’s Radio Festival.Whicker’s broadcasting career began in radio and he went on to join Radio 2 in the late 1990s, adding what Jim Moir, the then Controller, described as “Great lustre to my network”. Alan was an avid fan of radio documentary and told the press he wanted to return to it because, unlike TV, it didn’t ‘dumb down’ – radio and ‘assumed an intelligent audience’. Alan Whicker’s passion continues into new generations with awards such as RAFA, created to empower emerging talent.The panel of judges will be looking for imaginative storytelling, either breaking new ground or taking a familiar path in a new and innovative direction. Valerie Kleeman , Whicker’s partner in life and work for over 40 years, said: “Alan was well aware that he had been lucky enough to start working at a time when serious journalism was respected and presenters given the freedom to fashion their own programmes. He and his colleagues were writing the grammar of what was to follow; they were given support and opportunities and often allowed to learn on the job. He was aware that this scenario is not replicated today; money is scarce and commissioners are reluctant to green light without a celebrity name fronting a subject with which they often have little connection. Alan, who felt the best shot of himself was the back of his head, abhorred this trend. He was apolitical; he sought to intrigue and stimulate but not to influence. He strived to uncover the unusual as well as entertain. Above all he was a writer and observer who wrote and filmed what he saw. At the Foundation we seek to use Alan’s legacy to further his vision and to help those with talent to take the first step up a ladder which is increasingly difficult to climb.“
Jane Ray, Consultant Artistic Director for Whicker’s World Foundation said: “I am thrilled that the Radio Festival are partnering this new funding award for audio. I am a passionate believer in the enduring power of the well made, thoughtfully produced audio documentary. The other day we were contacted by someone looking for a series Alan Whicker had made 18 years ago. They knew the title and could describe the pictures vividly – then remembered they’d actually ‘seen’ radio broadcasts. Those who inspire us to listen, I mean really listen, and take us deeper into understanding the notions and motivations that shape our human story need to be nurtured. If this award goes some way to helping talented independent audio producers realise their documentary dreams Alan Whicker’s legacy will be wonderfully well served.”Roger Cutsforth, The Radio Academy Managing Director added: “The Radio Academy is proud to be partnering with Whicker’s World Foundation on this fantastic initiative to encourage and support new talent in audio documentary making. The Radio & Audio Funding Award [RAFA] is a wonderful legacy of the late, great Alan Whicker and his passion for the medium and will be a wonderful addition to the Radio Festival.”
Francesca Panetta, last year’s runner up for ‘The Dhammazedi Bell’ and multimedia special projects editor at The Guardian said: “It’s wonderful to see this new funding award. There is so much talent out there but few avenues for funding creative audio. I’m looking forward to seeing or more appropriately hearing the results.”
Nina Garthwaite, founding director of In the Dark Radio, added: “While the Internet has opened up new platforms for independent audio production, it’s still not always easy for producers to find the funding to do the work they’re passionate about and you need money to have the time to really explore your ideas. So it’s great that the Whicker’s World Foundation Awards want to support radio makers with a strong independent voice and a desire to develop the medium. I’m excited to hear the results!”
Will Jackson, managing Director of the Radio Independents Group commented: “RIG greatly welcomes this new funding award, which gives the next generation of Britain’s audio documentary makers an invaluable opportunity to join the ranks of Britain’s highly successful indie production sector.”
Alan Hall, previous Whicker’s world Foundation audio judge and CEP of Indie Falling Tree said: “It’s exciting to welcome a new funding award that encourages documentary production to go beyond worlds (literal or figurative) known already to us and, in so doing, to develop the unique qualities of a medium now entering a new golden age!”
Whicker’s World Foundation’s pre-existing awards are also opening entries for submissions today.
The Audio Recognition Award
This is moving to The Radio Festival. This is for a documentary, 15 minutes or over, broadcast or published online in the previous year. It was won this summer by Cathy Fitzgerald’s Little Volcanoes. The award is for £5,000 to the winner and £2,000 for the runner-up. The winners will be announced at next year’s Festival.
The Film and TV Funding Award
This is the primary focus of Whicker’s World Foundation. Each year £80,000 will be awarded to a new director with the most promising pitch for an authored documentary which fulfils the core criteria of the Foundation and can be completed for screening with this award. The money will be paid in instalments to the director’s film company, enabling a project which deserves to reach as wide an audience as possible. This year it was won by Alex Bescoby for Burma’s Lost Royals. The closing date for entries is 31st January 2017 and the shortlists will be announced in May 2016. The first winners will be announced by Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final night of the 2017 festival, 13th June 2017.
The Whicker’s World Sage Award
‘Retirement’ was not a word in Alan’s vocabulary. He was 83 when he wrote and presented Whicker’s War, a much acclaimed account of his army experiences in Italy for Channel 4. He made his last series for BBC Two, Journey of a Lifetime, in his late eighties. The Sage award will recognise a TV or audio professional who has come to air with an authored story for the first time, a prize of £5,000 will be awarded annually to an applicant aged 50 plus. Submissions of no more than 10 minutes; this can be for presentation but must be their own work. A runner-up will receive £2,000. Keith Earnest Hoult won this award for for Fluechtlinge – Refugee. Keith, a fan of Alan Whicker’s ‘gentle approach’ to interviewing, was inspired to create a ten-minute film about Syrians seeking refuge in a disused airport used for the Berlin Airlift. When he witnessed his friend’s wife Caroline trying to help refugees against a growing backlash he ‘felt the urge to film it if only for her family to reflect on later in life’. Keith learnt his film-making skills at the SAE Institute after redundancy and divorce turned his life upside-down. Judges were impressed that he made this entirely self-funded film as ‘a simple tale of ordinary people helping other ordinary people at their time of most desperate need.’
For further details on the awards and entry forms please go to
www.whickersworldfoundation.com
-ENDS
Notes to editors:
For images, media information and interviews please contact:
Siobhan Connor at Connor PR siobhan@connorpr.com + 44 (0) 7966 177025
For Terms and Conditions and award Criteria please go to http://whickersworldfoundation.com/application-forms/
Join the conversation: facebook.com/whickersworldfoundation
https://twitter.com/whickersworld @whickersworld
About Whicker’s World Foundation
On 7 June 2015 Whicker’s World Foundation, whose principle aim is to give a much needed fillip to authored documentary storytelling in the UK, launched three new documentary awards worth over £100,000 for the promotion of curiosity in programme making, generously funded by a legacy left by the celebrated broadcast journalist Alan Whicker. The launch took place in the Sheffield Winter Gardens led by Alex Graham, chair or Doc/Fest, Jane Ray, Artistic Director for the foundation and Kim Longinotto, multi award winning filmmaker. Entries for 2017 Awards opened on September 26th 2016 www.whickersworldfoundation.com
Radio Festival
Radio Festival is an annual event organised by Radio Academy, a registered charity dedicated to the encouragement, recognition and promotion of excellence in UK radio broadcasting and audio production. www.radioacademy.org
Connor PR, Whicker’s World Foundation, Siobhan Connor PR
ALAN WHICKER COLLECTION NOW AVAILBLE TO VIEW AT BFI SOUTHBANK AS PART OF LATEST ACQUISITIONS EXHIBITION
ALAN WHICKER COLLECTION NOW AVAILBLE TO VIEW AT BFI SOUTHBANK AS PART OF LATEST ACQUISITIONS EXHIBITION
Inside Whicker’s World: The life and travels of Alan Whicker
- Alan Whicker collection on view now as part of an exhibition of material from the BFI National Archive’s Special Collections; ‘Latest Acquisitions’ is free to view in the Mezzanine Gallery at BFI Southbank until October 23
- Items on display include Alan Whicker’s passports, a BBC Audience report for Whicker Down Under, interview question cards for Papa Doc: The Black Sheep (1969) and The World of James Bond (1967), photographs, correspondence, and shooting schedules
- Test your knowledge by taking part in a travel quiz made by the Whicker’s World Foundation – https://whickersworldfoundation.com/2016/10/quiz-how-well-do-you-know-whickers-world/
- Submissions for Whicker’s World Foundation Awards 2017 are now being accepted
As well as caring for one of the world’s richest and most significant moving image collections, the BFI National Archive also holds world-class Special Collections of scripts, posters, designs, photographs and other documents, including the archives of some of Britain’s most important film and programme makers. This exhibition presents highlights from some of our exciting recent acquisitions including the papers of Oscar-winning costume designer Jenny Beavan, television journalist and documentary-maker Alan Whicker, and S John Woods, the man behind many of the best-loved Ealing Studios posters. The exhibition is open now and free to view until October 23rd 2016 at BFI Southbank, Mezzanine Gallery, Belvedere Road, London SE1 8XT.
The BFI National Archive is now home to the archives of pioneering investigative TV journalist, Alan Whicker, donated by Valerie Kleeman, Whicker’s World Foundation. The collection contains meticulous records of one of the most enduring and influential careers in British television history, spanning the late 1950s into the 21st century.
This is an extensive and significant donation covering the entire career of a world-renowned broadcaster, and represents a unique insight into the production methods of a master documentarian. Alan Whicker’s name is a by-word for brilliantly crafted and revealing studies of people and places, whether exploring behind the scenes of the Miss World competition, interviewing Papa Doc in Haiti, or exposing the lifestyles of the hippies of San Francisco, with an enquiring mind and a sceptical tone. This unlikely figure, clad in Gucci tie and blazer, found his way into the nation’s hearts as he went where his audience was unlikely to follow.
The meticulously kept Alan Whicker archive spans the years 1938-2014. It includes a school report from 1938, documents relating to his war career and letters, photographs, extensive production files, audience reports, interview notes and questions (including Whicker’s hand-annotated question cards) and transcripts of every TV programme he made, along with some, as yet, unidentified films. The archive gives an insider’s view of some of the key events, social trends and personalities of the 20th century, while fully documenting the changing world of television reportage across more than five decades.
Around Whicker’s World in 13 Guesses
Test your knowledge of Alan Whicker’s Life and Work by taking part in our quiz
https://whickersworldfoundation.com/2016/10/quiz-how-well-do-you-know-whickers-world/
Submissions for Whicker’s World Foundation Awards 2017 are now being accepted
The Funding Award
This is the primary focus of Whicker’s World Foundation. Each year £80,000 will be awarded to a new director with the most promising pitch for an authored documentary which fulfils the core criteria of the Foundation and can be completed for screening with this award. The money will be paid in instalments to the director’s film company, enabling a project which deserves to reach as wide an audience as possible. This year it was won by Alex Bescoby for Burma’s Lost Royals. The closing date for entries is 31st January 2017 and the shortlists will be announced in May 2016. Entrants must be aged 35 years or younger on the closing date for applications. The first winners will be announced by Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final night of the 2017 festival, 13th June 2017.
The Whicker’s World Radio and Audio Funding Award (RAFA)
For 2017 we are introducing a new Funding Award for Radio and Audio documentary projects in association with the Radio Academy. This is for a documentary, 15 minutes or over, broadcast or published online in the previous year. The Whicker’s World Radio and Audio Funding Award (RAFA) has a £5,000 first prize and £2,000 runner up award. The deadline for this award is the 23rd of December, with the best pitch being announced at a special event in March 2017.
The Recognition Awards
In addition to our funding awards there are two further annual prizes to recognise completed work: the ‘Audio Award’ and the ‘Sage Award’, the latter of which is for the finest industry newcomer over the age of fifty.
Alan worked in radio before TV and was snapped up by Radio 2 in the late 1990s, adding what Jim Moir, the Controller from 1996 to 2003, described as “great lustre to my network”. Initially Alan’s radio programmes revolved around re-visiting his most memorable encounters from Whicker’s World: from the ‘Ten Pound Poms’ to Margaret Rutherford’s transsexual adoptee who ‘gave birth’ to a mixed-race daughter in South Carolina. He went on to create a radio history of television called It’ll Never Last.
Whicker’s World Foundation will award an annual £5,000 prize for the best audio project of over 15 minutes in length, broadcast in the last year. A runner-up will receive £2,000.
The Whicker’s World Sage Award
‘Retirement’ was not a word in Alan’s vocabulary. He was 83 when he wrote and presented Whicker’s War, a much acclaimed account of his army experiences in Italy for Channel 4. He made his last series for BBC Two, Journey of a Lifetime, in his late eighties. The Sage award will recognise a TV or audio professional who has come to air with an authored story for the first time, a prize of £5,000 will be awarded annually to an applicant aged 50 plus. Submissions of no more than 10 minutes; this can be for presentation but must be their own work. A runner-up will receive £2,000. Keith Earnest Hoult won this award for for Fluechtlinge – Refugee. Keith, a fan of Alan Whicker’s ‘gentle approach’ to interviewing, was inspired to create a ten-minute film about Syrians seeking refuge in a disused airport used for the Berlin Airlift. When he witnessed his friend’s wife Caroline trying to help refugees against a growing backlash he ‘felt the urge to film it if only for her family to reflect on later in life’. Keith learnt his film-making skills at the SAE Institute after redundancy and divorce turned his life upside-down. Judges were impressed that he made this entirely self-funded film as ‘a simple tale of ordinary people helping other ordinary people at their time of most desperate need.’
For further details on the awards and entry forms please go to
www.whickersworldfoundation.com
-ENDS
Notes to editors:
For images, media information and interviews please contact:
Siobhan Connor at Connor PR siobhan@connorpr.com + 44 (0) 7966 177025
For Terms and Conditions and award Criteria please go to http://whickersworldfoundation.com/application-forms/
Join the conversation: facebook.com/whickersworldfoundation
https://twitter.com/whickersworld @whickersworld
About Whicker’s World Foundation
On 7 June 2015 Whicker’s World Foundation, whose principle aim is to give a much needed fillip to authored documentary storytelling in the UK, launched three new documentary awards worth over £100,000 for the promotion of curiosity in programme making, generously funded by a legacy left by the celebrated broadcast journalist Alan Whicker. The launch took place in the Sheffield Winter Gardens led by Alex Graham, chair or Doc/Fest, Jane Ray, Artistic Director for the foundation and Kim Longinotto, multi award winning filmmaker. Entries for 2017 Awards opened on September 26th 2016 www.whickersworldfoundation.com
Connor PR’s latest TV project 41 Dogs In My Three Bed Semi – Friday 9th October 2015, 8pm, Channel 5
41 Dogs In My Three Bed Semi
Friday 9th October 2015, 8pm, Channel 5
- Dog-mad Lynn Everett loves her pet dogs so much she shares her semi-detached home with 41 of them
- Meet animal owner of 60, Steve Lucock, who claims his appearance on Britain’s Got Talent contributed to a failed marriage and left him with a home full of animals
- Dog enthusiast Emmie Stevens, 27, is so devoted to her pets that she has spent £60,000 on pampering them – with two hounds even getting hitched
Lynn Everett
There are estimated to be 71 million pets in Britain today, and 45% of households now own at least one. However, for some, one is nowhere near enough. In this remarkable film, a Middlechild production – we reveal Britain’s most staggering animal obsessives and witness what happens when animal obsessions get out of hand; the animosity, the relationship breakdowns, the risk of losing everything, and the tales of people who love animals so much they collect dozens of them in their homes.
In this one-hour documentary screened on October 9th at 8.00pm on Channel 5, we meet 57-year-old dog-mad Lynn Morgan from Barnsley, a dog obsessive. Many people have one of their favourite breeds of dogs as a pet, Lynn has one in every colour! At last count, Lynn had 41 dogs, all living inside her modest semi-detached home. Lynn lives with 25 French Bulldogs, six Chinese Crested dogs and 10 Miniature English Bull Terriers.
41 Dogs in a 3 bed Semi
We follow Britain’s Got Talent performer Steve Lucock and his 60 animals as he battles to put food in the mouths of his beloved wild family, whilst attempting to feed his own obsession; and dog-lover Emmie Stevens from Croydon who has a paw print tattooed on her wedding finger.
Lynn Everett and husband, Tony Morgan, live amongst their 41 dogs in her three-bedroomed semi on a very normal-looking street in Barnsley. The dogs are free to roam the downstairs of the house and share the sofas with Lynn and Tony. 41 is the maximum number the council will allow her to keep but if she could, she’d have many more. It’s a stressful existence living amongst 41 dogs and Lynn and Tony have a very fiery relationship, especially when it comes to matters concerning the dogs.
41 Dogs in a 3 bed Semi
In this film, we learn all about their lifestyle and witness the effect it has on their relationship. We meet Lynn’s disabled dogs and she explains how she gives every dog a chance, no matter how much it costs her. We reveal that Lynn breeds some of her more prized pooches and that this helps fund the upkeep of her extra-large family.
Lynn leaves the house just once a year, to go on a scouting mission to Crufts. Lynn began by breeding Bull Terriers but soon found that she couldn’t bear to part with them once born. She has sold some of her more prized puppies in the past but even though she has been breeding dogs since she was 18, she admits it’s becoming nearly impossible to let any new ones go. And now, as long as she sticks within the 41 she’s allowed, instead of selling, she’s buying too! Lynn has five chest freezers and spends £280 on tripe each month to feed her pets. She also buys copious amounts of fabric softener for the dogs’ blankets and there are beds set up for them in the front room.
Not many people could cope with the set-up the couple have in the house but Lynn’s personality seems to suit it perfectly. The worst consequence of their lifestyle choice is the abuse they attract from outsiders who don’t believe the dogs can be healthy or happy in such an environment. This has resulted in substantial trolling over the Internet, on dog-based forums and social media. The pinnacle of the abuse came during Christmas 2014, when a brick was thrown through their window.
Meanwhile in Blyth, Northumberland, animal addict 47-year-old Steve Lucock was at the peak of his career as a magician in the mid-2000s, performing around the country with his wife as his on stage assistant. As Steve is so obsessed with animals, he based their entire show around them. When their act featured on the TV show Britain’s Got Talent, the exposure resulted in 100 animals in need of a home being dropped on their doorstep, in addition to the 60 they already had! Steve’s reluctance to part with the new animals put a strain on his marriage, eventually leading to divorce and plunging Steve in financial disarray.
Not every animal act on Britain’s Got Talent goes the same way as Pudsey or Matisse it seems. Now, unemployed and without a performing partner, Steve has been forced to reduce the number of animals he lives with back to a more modest level of 60. Steve’s living room is home to a parrot and around the rest of the house you’ll find dogs, cats, meerkats, owls, raccoons, skunks, snakes, turtles, rats, doves, rabbits and Steve’s showpiece… his foxes.
The foxes are house-trained and his red fox, identical to the ones who roam the streets at night, is as tame as a ‘well-trained dog’. He often takes his fox when he entertains at children’s parties, much to the amazement of the attendees, who cannot believe how domesticated it is. Steve’s animal obsession has had serious financial repercussions. He only manages to feed his animals through donations given to him after shows he puts on for free locally. However, he is determined to continue growing his collection and is always on the lookout for new additions. In this film, we follow Steve as he tries to turn his fortunes around. We witness a rather tragic performance at a holiday camp and see evidence of Steve’s problems with money. However, he’s come up with a new idea for a show that he hopes will be a big hit on the kids’ party scene. Called Animalgique, it tells the story of the animals’ struggle against man and what children can do to help. Steve rehearses his show and promotes it around Blyth before the big night of his premiere arrives.
In Wiltshire, Mary Cunningham’s small house is overrun with cats. For many years she’s been taking them in and providing homes to any that are offered to her. Her whole life revolves around her feline family. Mary’s house is also brimming with clutter, she claims that this in fact just ‘stock’. Mary raises money for her cats by visiting car boot sales and fetes, selling her ‘stock’. In this film we learn that Mary faces the threat of eviction if the number of cats increases in her home, or if she can’t maintain the property. We watch as Mary attempts to secure a pitch at the biggest event of the year, The Calne Summer Festival and Carnival. If she can get a stall there, she’ll clear a lot of her ’stock’ and make enough money to do some decorating.
Emmie Stevens’ is an animal obsessive in training – her current 12 dogs are some of the most pampered pooches in the country. Emmie, 27, from Croydon, South London, is obsessed with dressing up canines and even calls them her children. Over the past seven years she has spent £60K on them. To Emmie, her dogs are her children and she feels a very maternal connection to them. As she says, “parents like dressing their children up” and that’s precisely what she does with her dogs. She has a whole room devoted to their outfits. Recently, Emmie married two of her dogs at a lavish ceremony attended by 30 of their best doggie friends. In the film we learn that Emmie’s addiction to dogs started after enduring years of confidence-destroying bullying before buying her first dog, Doodles. The love and happiness she got from him, and the compulsion to care that grew inside her, drove her to seek that ‘buzz’ over and over again. If there was more room in her house she’d have more dogs and one day Emmie fully intends on increasing her collection.
-Ends-
Connor PR promoting 41 Dogs In My Three Bed Semi, Connor PR expert in TV promotion
Whicker’s World Foundation launches new documentary awards at Sheffield Doc Fest
Whicker’s World Foundation launches new documentary
awards at Sheffield Doc Fest
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Three awards worth a total of £100,000
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Supporting authored storytelling in the UK
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First winners to be announced at Sheffield Doc/Fest 2016
Sunday 7th June at Sheffield Doc/Fest: the new Whicker’s World Foundation, whose principle aim is to give a much needed fillip to authored documentary storytelling in the UK, today launches three new documentary filmmaker awards worth a total of £100,000 for the promotion of curiosity in programme making, generously funded by a legacy left by the celebrated broadcast journalist Alan Whicker, who died in 2013. Details of the Whicker’s World Foundation and the awards will be announced by filmmaker Kim Longinotto at a special event at Doc/Fest, following the screening of Whicker’s World: Conflict in Kentucky.
Says Mark Atkin, Acting Festival Director, Sheffield Doc/Fest: “I am very enthused that this foundation aims to encourage authored documentary at a time when TV is becoming increasingly formatted and when most foundations have requirements to promote social issues. This is exactly what the industry needs right now”.
The three awards – the Funding Award (worth £80,000 / £10,000 runner up) to a debut filmmaker under 30 years of age; the Recognition Award (worth £4,000 / £1,000 runner up) to the finest industry newcomer aged 50 years of age or over; and the Best Audio Documentary (worth £4,000 / £1,000) to be awarded at the In The Dark audio festival, also part of Doc/Fest – will be looking for a spirit of inquisitiveness that will leave the viewer wanting more, and tell something new and unexpected about the world.
The panel of judges, chaired by Valerie Kleeman, photographer, programme consultant and Whicker’s partner for more than 40 years, will also be looking for projects that are playful with how the story is told, either breaking new ground, or taking a familiar path to come up with a new style.
The Alan Whicker Foundation consultant, top ranking international TV executive Jane Mote, says: “Whicker’s World opened my eyes to the most amazing stories, people and places. Alan’s unique style and sharp wit was inspirational and I am so excited to be part of creating a Foundation to nurture the future trailblazers for international documentary film-making”.
Jane Ray, the Consultant Artistic Director for the Foundation is a multi-award winning documentary maker and executive producer in radio and television with a journalistic background and nearly 28 years’ service at the BBC. Her awards range from the Sony Award for best news programme (2002) and the TRIC award for best children’s programme (1993) to China’s Golden Kapok award for best director (2014). She worked with Alan throughout the 90s on various projects for radio. She also wrote and directed Radio 4’s archive programme about Alan: Around the World in 80 Years, presented by Michael Palin.
The first award winners will be announced by the Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final day of the 2016 festival.
Ends
For further information for Whicker’s World Foundation contact:
Siobhan Connor siobhan@connorpr.com
+ 44 (0) 7966 177025
For further information for Sheffield Doc/Fest contact:
Sarah Harvey Publicity
+44 (0) 207 232 2812
+44 (0) 7958 597426
Sarah Harvey sarah@sarahharveypublicity.co.uk
Nikki Cummins nikki@sarahharveypublicity.co.uk
Joe Bond joe@sarahharveypublicity.co.uk
Join the conversation:
facebook.com/whickersworldfoundation
https://twitter.com/whickersworld
About Doc/Fest:
Sheffield Doc/Fest is the UK’s premier documentary and digital media festival. It is the place to see world and UK premieres of the best creative documentaries from the cinema, television and online arenas, and to hear from and meet filmmakers at Q&A sessions. Highlights of the film programme are honoured with an award programme including the Sheffield Grand Jury, Innovation, Environmental, Interactive, Youth Jury, Inspiration, Student Doc, Short Form and Audience Awards. In 2014, 3,263 full festival pass holders attended the Festival and it attracted over 26,700 members of the film-loving public.
Sheffield Doc/Fest 2015 takes place from 5-10 June
Connor PR launching the Whicker’s World Foundation, Connor PR expert in travel PR, Connor PR expert in presenter PR, Connor PR specialist in TV publicity
House of The Rising Sun Restaurant Review in this month’s Shropshire Magazine
Connor PR specialist in launch and event PR has secured a fantastic review in this month’s Shropshire Magazine for client House of the Rising Sun, in Shrewsbury, Shropshire
and Australia’s strong ties with Japan also help determine the taste and style.
Connor PR working with Paramount Pictures, in association with Empire Film Distribution on The Reef 2:High Tide, the stunning new animation film
The following celebrities attended a celebrity screening of the brand new animation film The Reef 2: High Tide at The Soho Hotel from Paramount Pictures, in association with Empire Film Distribution. The event was organised by Connor PR, specialists in event PR.
Gillian McKeith and her daughters, Skylar and Afton. Patsy Palmer and her children Fenton, Emilia and Bertie. Jessie Wallace and her daughter Tallulah. Carrie Grant and family. Towie star Billi Mucklow and her nephew. Maisie Smith (Tiffany in EastEnders). Devon Higgs (Morgan in EastEnders). Kevin Adams, Charlie Brooks and her daughter Kiki.
The Stunning New Animation Film by Director Mark A.Z. Dippe, starring Drake Bell, Fran Drescher, Andy Dick and Frankie Jonas
With fast paced action, striking CGI animation and vibrant characters, this is the ultimate feel good animation film, perfect for all the family
Charlie Brooks attended a VIP screening of new animation film ‘The Reef 2: High Tide’ out on national release October 25th, Soho Hotel, London
Devon Higgs who plays Morgan in EastEnders
attended a VIP screening of new animation film ‘The Reef 2: High Tide’
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Billi Mucklow
attended a VIP screening of new animation film ‘The Reef 2: High Tide’
Gillian McKeith and daughters
Carry Grant with her daughters and friends
Maisie Smith who plays Tiffany in EastEnders
attended a VIP screening of new animation film ‘The Reef 2: High Tide’
Jessie Wallace
attended a VIP screening of new animation film ‘The Reef 2: High Tide’
TOP BRITISH YOUTUBE CELEBRITY SHAVES HEAD TO RAISE FUNDS FOR DYSLEXIA HELP
TOP BRITISH YOUTUBE CELEBRITY SHAVES HEADTO RAISE FUNDS FOR DYSLEXIA HELP
On 19 July 2013, dyslexic singer, artist and make-up artist Klaire de Lys announced on her Youtube channel that she would shave her head if £5000 was raised in bursaries for people with dyslexia and on a limited income to access the Davis Dyslexia Programme.
£5035 later, Klaire fulfilled her pledge and shaved her head on 6 August 2013. An account and a short video of the event can be viewed at http://www.klairedelys.com/2013/08/09/i-shaved-my-head/
22-year-old Klaire, who lives in Reading, Berkshire, founded KlairedelysArt in January 2009, a YouTube Channel devoted to artistic make-up tutorials. To date, the channel has accumulated over 380,000 subscribers. There have been over 86,000,000 views of the videos on the channel. Klaire was featured in a recent article in the Observer, “YouTube UK: 20 of Britain’s most popular online video bloggers”.
After years of going undiagnosed, Klaire underwent a Davis Dyslexia Programme to address her personal challenges with dyslexia. “To say that that experience made a difference is a serious understatement,” says Klaire. “It changed my life completely and gave me the tools to achieve things I could only dream of before.” Klaire has published (in print, and as a video recording) a more detailed account of her experience of dyslexia and the Davis programme at http://www.klairedelys.com/2013/07/19/my-dyslexia-story/ The video version has been viewed 54,468 times.
The Davis Dyslexia Programme was created by Ronald Davis, author of the internationally best-selling book, “The Gift of Dyslexia”. The programme originated out of Davis’ own experience of severe dyslexia and is now provided in over 30 languages and in more than 45 countries. It plays to the perceptual talents inherent in dyslexia and makes innovative use of plasticine clay as a learning medium.
“At present, the Davis Programme receives no state funding,” says Richard Whitehead, Director of Davis Learning Foundation, the non-profit UK arm of Davis Dyslexia Association International. “We are delighted with Klaire’s amazing gesture, which will bring the benefits of the programme to people who could never have dreamt of them before.”
A few days prior to shaving her head, Klaire launched her new band, Fenix, with a song called “Paper Wings” which she wrote about her experiences with dyslexia. In the eight days since the song was launched on 3 August, it has been viewed over 20,000 times. The link to the song is http://www.youtube.com/watch?v=j8-RnzXJmTs
“I’m hoping that by approaching this project by both shaving my head to raise awareness, and releasing my song Paper Wings, I can really make a difference in the lives of Dyslexics,” says Klaire. “Not only raising funds to help, but also by hopefully creating a song which will continue to raise awareness long after my hair has grown back.”
People with dyslexia will not be the only people to benefit from Klaire’s gesture. Klaire plans to donate her hair to Wigs for Kids, a non-profit company providing hair replacement for children who have lost their hair because of cancer treatment, burns and other medical issues.
Further information:
Klaire’s video about the campaign:
http://www.youtube.com/watch?feature=player_embedded&v=VOZ1PPyVZ7k
Campaign web page:
http://igg.me/at/dyslexiahelp/x/3930552
Klaire’s dyslexia story:
http://www.klairedelys.com/2013/07/19/my-dyslexia-story/
Video and account of Klaire’s head-shaving:
http://www.klairedelys.com/2013/08/09/i-shaved-my-head/
http://www.youtube.com/user/KlairedelysArt
http://www.unlocking-learning.co.uk/
http://www.guardian.co.uk/technology/2013/apr/07/youtube-uk-20-online-video-bloggers
Connor PR working with The Davis Dyslexia Programme,, Connor PR speciliases in education PR, Connor PR working with Klaire de Lys,Connor PR Siobhan Connor, Connor PR working with Top British Youtube celebrity who has shaved head to raise funds for Dyslexia help