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Whicker’s World Foundation launches inspiring Funding Award at Radio Festival

Whicker’s World Foundation launches

inspiring Funding Award at Radio Festival

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  • Whicker’s World Foundation launches the Radio & Audio Funding Award (RAFA) at the Radio Festival, the annual celebration of all things audio at the British Library. The festival brings together a full media scope of leading figures from the UK’s audio industry.
  • Supporting authored storytelling in the UK, taking us into new or hitherto unseen worlds, RAFA will help fund independent audio documentary makers.
  • RAFA Awards are worth a total of £7,000.
  • Submissions for this and existing Whicker’s World Foundation Awards 2017 are now being accepted.

Whicker’s World Foundation will today, at the UK’s popular Radio Festival hosted by broadcaster Paddy O’Connell launch a brand-new funding award – the RAFA –  to help aspiring independent audio documentary makers. The awards were created to celebrate and encourage excellence in audio documentaries, and have been generously funded by a legacy left by the celebrated journalist Alan Whicker who died in 2013. Whicker wanted to encourage curiosity, stimulate the senses and empower talent which might otherwise never find a place in today’s highly-competitive industry.

The Whicker’s World Foundation, launched in 2015, has already awarded over £100,000.The award prizes consist of £5,000 for the winner and a runner-up prize of £2,000. The winning pitches will offer new and exciting ideas for audio documentaries, meeting Whicker’s World Foundation criteria of: taking us into a new or hitherto unseen worlds; being personal but not partisan; and with an emphasis on strong original storytelling and development of the medium. Applicants need to supply up to six minutes worth of audio in support of their proposals.Deadline for entries is 23rd December 2016, there is no application fee and candidates can apply online. The best five will be invited to pitch at an event in March 2017 and the winners will be announced at next year’s Radio Festival.Whicker’s broadcasting career began in radio and he went on to join Radio 2 in the late 1990s, adding what Jim Moir, the then Controller, described as Great lustre to my network. Alan was an avid fan of radio documentary and told the press he wanted to return to it because, unlike TV,  it didn’t ‘dumb down’ – radio and ‘assumed an intelligent audience’. Alan Whicker’s passion continues into new generations with awards such as RAFA, created to empower emerging talent.The panel of judges will be looking for imaginative storytelling, either breaking new ground or taking a familiar path in a new and innovative direction. Valerie Kleeman , Whicker’s partner in life and work for over 40 years, said: “Alan was well aware that he had been lucky enough to start working at a time when serious journalism was respected and presenters given the freedom to fashion their own programmes. He and his colleagues were writing the grammar of what was to follow; they were given support and opportunities and often allowed to learn on the job. He was aware that this scenario is not replicated today; money is scarce and commissioners are reluctant to green light without a celebrity name fronting a subject with which they often have little connection. Alan, who felt the best shot of himself was the back of his head, abhorred this trend. He was apolitical; he sought to intrigue and stimulate but not to influence. He strived to uncover the unusual as well as entertain. Above all he was a writer and observer who wrote and filmed what he saw. At the Foundation we seek to use Alans legacy to further his vision and to help those with talent to take the first step up a ladder which is increasingly difficult to climb.

Jane Ray, Consultant Artistic Director for Whicker’s World Foundation said: “I am thrilled that the Radio Festival are partnering this new funding award for audio. I am a passionate believer in the enduring power of the well made, thoughtfully produced audio documentary. The other day we were contacted by someone looking for a series Alan Whicker had made 18 years ago. They knew the title and could describe the pictures vividly – then remembered theyd actually seen radio broadcasts. Those who inspire us to listen, I mean really listen, and take us deeper into understanding the notions and motivations that shape our human story need to be nurtured. If this award goes some way to helping talented independent audio producers realise their documentary dreams Alan Whickers legacy will be wonderfully well served.Roger Cutsforth, The Radio Academy Managing Director added: “The Radio Academy is proud to be partnering with Whickers World Foundation on this fantastic initiative to encourage and support new talent in audio documentary making. The Radio & Audio Funding Award [RAFA] is a wonderful legacy of the late, great Alan Whicker and his passion for the medium and will be a wonderful addition to the Radio Festival.

Francesca Panetta, last year’s runner up for ‘The Dhammazedi Bell’ and multimedia special projects editor at The Guardian said: “It’s wonderful to see this new funding award. There is so much talent out there but few avenues for funding creative audio. I’m looking forward to seeing or more appropriately hearing the results.”

 

Nina Garthwaite, founding director of In the Dark Radio, added: “While the Internet has opened up new platforms for independent audio production, it’s still not always easy for producers to find the funding to do the work they’re passionate about and you need money to have the time to really explore your ideas. So it’s great that the Whickers World Foundation Awards want to support radio makers with a strong independent voice and a desire to develop the medium. I’m excited to hear the results!”

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Will Jackson, managing Director of the Radio Independents Group commented: RIG greatly welcomes this new funding award, which gives the next generation of Britains audio documentary makers an invaluable opportunity to join the ranks of Britains highly successful indie production sector.

 

Alan Hall, previous Whicker’s world Foundation audio judge and CEP of Indie Falling Tree said: “It’s exciting to welcome a new funding award that encourages documentary production to go beyond worlds (literal or figurative) known already to us and, in so doing, to develop the unique qualities of a medium now entering a new golden age!

 

Whicker’s World Foundation’s pre-existing awards are also opening entries for submissions today.

 

The Audio Recognition Award

 

This is moving to The Radio Festival. This is for a documentary, 15 minutes or over, broadcast or published online in the previous year.  It was won this summer by Cathy Fitzgerald’s Little Volcanoes. The award is for £5,000 to the winner and £2,000 for the runner-up. The winners will be announced at next year’s Festival.

 

The Film and TV Funding Award

This is the primary focus of Whicker’s World Foundation. Each year £80,000 will be awarded to a new director with the most promising pitch for an authored documentary which fulfils the core criteria of the Foundation and can be completed for screening with this award. The money will be paid in instalments to the director’s film company, enabling a project which deserves to reach as wide an audience as possible. This year it was won by Alex Bescoby for Burma’s Lost Royals. The closing date for entries is 31st January 2017 and the shortlists will be announced in May 2016. The first winners will be announced by Whicker’s World Foundation at the Sheffield Doc/Fest Award Ceremony, which will take place on the final night of the 2017 festival, 13th June 2017.

The Whicker’s World Sage Award

‘Retirement’ was not a word in Alan’s vocabulary. He was 83 when he wrote and presented Whicker’s War, a much acclaimed account of his army experiences in Italy for Channel 4. He made his last series for BBC Two, Journey of a Lifetime, in his late eighties. The Sage award will recognise a TV or audio professional who has come to air with an authored story for the first time, a prize of £5,000 will be awarded annually to an applicant aged 50 plus. Submissions of no more than 10 minutes; this can be for presentation but must be their own work. A runner-up will receive £2,000. Keith Earnest Hoult won this award for for Fluechtlinge – Refugee. Keith, a fan of Alan Whicker’s ‘gentle approach’ to interviewing, was inspired to create a ten-minute film about Syrians seeking refuge in a disused airport used for the Berlin Airlift. When he witnessed his friend’s wife Caroline trying to help refugees against a growing backlash he ‘felt the urge to film it if only for her family to reflect on later in life’. Keith learnt his film-making skills at the SAE Institute after redundancy and divorce turned his life upside-down. Judges were impressed that he made this entirely self-funded film as ‘a simple tale of ordinary people helping other ordinary people at their time of most desperate need.’

 

For further details on the awards and entry forms please go to

www.whickersworldfoundation.com

 

-ENDS

 

Notes to editors:

 

For images, media information and interviews please contact:

Siobhan Connor at Connor PR siobhan@connorpr.com   + 44 (0) 7966 177025

 

For Terms and Conditions and award Criteria please go to http://whickersworldfoundation.com/application-forms/

 

Join the conversation: facebook.com/whickersworldfoundation

https://twitter.com/whickersworld   @whickersworld

 

About Whicker’s World Foundation

On 7 June 2015 Whicker’s World Foundation, whose principle aim is to give a much needed fillip to authored documentary storytelling in the UK, launched three new documentary awards worth over £100,000 for the promotion of curiosity in programme making, generously funded by a legacy left by the celebrated broadcast journalist Alan Whicker. The launch took place in the Sheffield Winter Gardens led by Alex Graham, chair or Doc/Fest, Jane Ray, Artistic Director for the foundation and Kim Longinotto, multi award winning filmmaker. Entries for 2017 Awards opened on September 26th 2016 www.whickersworldfoundation.com

Radio Festival

Radio Festival is an annual event organised by Radio Academy, a registered charity dedicated to the encouragement, recognition and promotion of excellence in UK radio broadcasting and audio production. www.radioacademy.org

 

Connor PR, Whicker’s World Foundation, Siobhan Connor PR

 

Film Producer Dean Woodford talks to the Mail online about living with a birthmark

Living with a birthmark 

“My birthmark gives me something so many crave after, uniqueness“.

Dean Woodford, Film Producer

This inspirational story ran on the Mail online

http://www.dailymail.co.uk/health/article-2869859/Bullies-called-freak-beetroot-boy-birthmark-Dean-31-stopped-hiding-skin-hated-realising-makes-unique.html

Dean Woodford

A former Wiltshire College student has recently finished filming on his big screen debut with the legendary film director Martin Scorsese. Dean Woodford, 31, is a producer on the film called Tomorrow, which explores the difficult reintegration into normal society of battle-worn soldiers. Dean was born with a birthmark and is passionate about encouraging others with birthmarks to pursue their dreams, he is a supporter of the Birthmark Support Group.

 

Dean said: “Throughout my teens and adult life, I have been called names, stared at and even stabbed with a pencil because of my birthmark. Well these days I am embracing it. My birthmark gives me something so many crave after, uniqueness. You can get all the tattoos, haircuts and clothing you like, but you will never look as unique as myself and others that have one”.
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Produced by London based production companies, Roaring Mouse Productions & Studio 82, Tomorrow marks Martin Scorsese’s first ever voyage into British feature film as he takes on an executive producer role. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long-­‐time script supervisor. Pinson has directed an award winning short film and off-­‐ Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet. She has also worked on Scorsese’s four most-­‐recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M. Woodford, while Emma Tillinger Koskoff and Scorsese come on as Executive Producers.

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Dean Woodford added: “I am now 31, working in the film industry as a producer, alongside the likes of Martin Scorsese, Stephen Fry and Joss Stone and have two more films coming up. It really doesn’t matter what you look like, just as long as you’re confident looking like you do, as believe me, self confidence shines a hell of a lot brighter than hair extensions and fake tan.”

 

Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), Sophie Kennedy-­Clark (Nymphomaniac 1 & 2,) who has recently been nominated for a BAFTA for her role in Philomena. James Cosmo, (Braveheart, Games of Thrones), Paul Kaye (Blackball, Game of Thrones) Joss Stone (The Tudors) Ricki Hall and Will Tudor (Game of Thrones) round out the cast of Tomorrow.

 

Dean is currently working on a graphic Novel, due for release next year.

 

Looking for film PR agencies and PR companies?  Connor PR provide expert film and entertainment public relations for all your UK film PR needs.

 

-­‐ENDS-­‐

Dean Woodford is available for interview

Join in the conversation @tomorrowfilmuk and www.facebook.com/tomorrowukfilm

For more information or images please contact:

Siobhan Connor at Siobhan@connorpr.com or call 07966 177025

Tomorrow, presented by Martin Scorsese Working with Spanish Production company Rodaje a la Carta

Landmark British feature film, Tomorrow presented by Martin Scorsese has teamed up with Spanish production company Rodaje a la Carta headed up by by Ismael Issa. The hotly anticipated film, which began production in London in September has moved location to a town called Cox, in Alicante, which is located at the foot of the Sierra de Callosa mountain range in Spain. Photography will focus on war scenes featuring Sebastian Street’s character.

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Produced by London based production companies, Roaring Mouse Productions & Studio 82, Tomorrow marks Martin Scorsese’s first ever voyage into British feature film as he takes on an executive producer role. It also heralds the feature film directional debut of Martha Pinson, Scorsese’s long-­‐time script supervisor. Pinson has directed an award winning short film and off-­‐ Broadway plays as well as collaborating with Oliver Stone and Sidney Lumet. She has also worked on Scorsese’s four most-­‐recent narrative films: The Aviator, The Departed, Shutter Island, and Hugo. The script is being penned by Stuart Brennan and Sebastian Street who are producing alongside Dean M. Woodford, while Emma Tillinger Koskoff and Scorsese come on as Executive Producers.

 

 

Tomorrow is a moving and inspirational feature film, which candidly explores the difficulty and loneliness soldiers encounter as they try to reintegrate back into society having served for their country; moving on from losses and injuries to forge a life, find sustaining work and experience love. The film is a very personal journey for both writers and boldly explores several hard-­‐ hitting yet underexposed issues such as post‐traumatic stress disorder, as well as HIV and AIDS.

 

Stephen Fry (The Hobbit), Stephanie Leonidas (Defiance), Sebastian Street (Age of Heroes), Stuart Brennan (Risen), Sophie Kennedy-­Clark (Nymphomaniac 1 & 2,) who has recently been nominated for a BAFTA for her role in Philomena. James Cosmo, (Braveheart, Games of Thrones), Paul Kaye (Blackball, Game of Thrones) Joss Stone (The Tudors) Ricki Hall and Will Tudor (Game of Thrones) round out the cast of Tomorrow.

 

The first footage of Tomorrow is currently being screened at The American Film Market (AFM) by Carnaby Sales & Distribution. Capitalising on the strength of Scorsese enthusiasts around the globe, Carnaby’s focus will be on securing distribution in the key major territories whilst working alongside WME on domestic. Pre-sales interest has already been particularly strong, with buyers recognising the film’s appeal for both domestic and international audiences.

 

Carnaby holds worldwide rights for the film, excluding the USA, which is being handled by William Morris Endeavor (WME). Tomorrow is part of a three-picture deal, which was secured by Carnaby’s joint CEO, Sean O’Kelly, together with Roaring Mouse Productions’ Sebastian Street, Stuart Brennan, and Dean Woodford. Carnaby plan to premiere the film at Cannes Film Festival in 2015.
 

-­‐ENDS-­‐

Join in the conversation @tomorrowfilmuk and www.facebook.com/tomorrowukfilm

For more information or images please contact:

Siobhan Connor at Siobhan@connorpr.com or call 07966 177025